We as humans tend to dwell on death and what lies beyond. It’s only natural as we simply don’t know. Behind the Frame explores this concept with an emotional tug-of-war of a story, but you really need to pay attention, and a lot of the story is more between the lines and not what’s really being shown in front of you. There’s a lot of assumption that you know what’s happening when the main character looks shockingly off in the distance based on the previous scene. It’s done fairly well too.
Most of Behind the Frame is puzzle solving. It takes a dark twist halfway through and it surprised me. Your goal is to acquire all five missing colors on your paint palette to finish your painting. To do this each color is locked away behind a chapter puzzle. These got rather complex towards the end, but nothing you can’t figure out without exploring and finding that key item that gives you that “AHA!” moment. Some puzzles are as simple as matching colors on a painting to memorization. Nothing is overly complex and it does eventually come together. The painting itself is a matter of scribbling enough in the empty space and it will auto-fill. Nothing extraordinary there. There are some other small tasks like making food which is as simple and dragging items around.
There isn’t a lot of context on the main character’s life itself through any reading of notes or anything. It’s pretty much learning about her past and her connection with her neighbor. The game has gorgeous anime-Ghibli-inspired art with a few small cut scenes thrown in. I never got tired of looking at the game, but it is confined to mostly her apartment. Every so often you “dive” into a painting, but it’s usually just for story context. There were a few panoramic scenes that were breathtaking. I actually felt like I stepped into a painting myself a few times.
In the end, the game is over in about 90 minutes or less depending on how long it takes you to solve the more complex puzzles in the final chapters. Without having to solve these this game is over in an hour. The story does unfold quite a bit towards the end and without voice acting it gets a lot of emotions across and I have to give the developers credit for that. Most of these short indie games don’t have any meaning behind them. They have some clever gameplay ideas or neat visuals and nothing beyond that. Behind the Frame actually tugged at my heart strings a bit and got me thinking at the end which is more than I can say for 60-hour-long AAA titles. If you want a puzzle-filled emotional evening with great visuals and fun gameplay mechanics then look no further.
The original release of Doom 3 was a huge deal. It was a technical marvel with fantastic new lighting effects and textures that could fill the latest GPU and all of your RAM. It split fans due to the slower pace and focus on jump scares (that honestly don’t really work these days anymore) and a bigger focus on the story (if you can call it that). The game retains the same dark visuals and monsters from before, but being the first game in full 3D it had a lot of problems.
The first thing you will notice is that this release has no visual upgrades outside of some texture filtering and anti-aliasing and slightly better lighting. The textures still look muddy and the models are still low-poly. With this being the third official release of this game I’m surprised more work hasn’t been done to it. You play as a marine who is stationed on Mars when things suddenly go wrong. The first couple of levels is probably the best since they slowly introduce the gameplay to you and have better-designed levels. Zombies emerge from the dark, and your flashlight is a lifeline. It does have a short battery but recharges within seconds.
The main issue with Doom 3 is its much slower pace in every part of the game. The movement is slow (you have adrenaline that’s used for limited sprinting which is annoying), and the weapons reload slowly (why is there reloading anyway?). Not to mention the weapons just plain suck. The pistol is useless outside of the first couple of levels. I never touched it after this. The machine gun is useless in later levels, and everything else just feels slow. Enemies feel slow as well. The environments are also cramped with too many enemies spawning at once and I constantly backed into walls and got stuck in corners trying to get away. Very rarely does the game ever feel like a classic Doom game with more open areas.
The level design is also terrible. The game is way too long as it is and it’s just boring hallways after hallway finding PDA access cards, running back and forth activating switches, and trying to open doors. nearly eight grueling hours of this. It felt like a chore after the first two. Eventually, you do get to Hell, but it’s such a short level with a boss fight at the end, but it still suffered from cramped areas and nothing new except a couple of enemies that finally show up such as the Hell Knight and Arch-Vile which are some of the toughest enemies in the game. I mostly stuck to the strategy of using guns that shot the fastest such as the Cell machine gun being the most powerful with the chaingun being second. I used the shotgun through most of the mid-section of the game until I got the cell rifle.
There are a few boss fights in the game that all play out the same, and in the end, the entire game is just one long boring chore. It’s fun at first, but if you are a veteran of classic Doom games then most of you may just shut this off early. This is my third play-through of this game and it’s less enjoyable each time. I originally played this on Xbox, and then PC, and then dabbled in it a bit on Xbox 360 and never finished it. Now I completed it on Switch.
Speaking of the Switch the game plays fine, but there is some slow down in the larger areas and it doesn’t always stay at 60FPS. In handheld mode, the game runs fine as well, and you have the option to turn off flashlight shadows to help, but overall it’s great to just have another FPS on the Switch. These don’t come around often. Included is the Resurrection of Evil expansion which I already finished once on Xbox and a new Lost Mission short campaign which I will get around to eventually. It’s nice that there’s some new content. Overall, this could have easily been a remake from the ground up or a mode that made it feel faster-paced like the classic games. If you are itching for a mid-2000s FPS game then go ahead. Don’t come into this thinking it’s like the newer Doom reboots. This game was a specific era of id Software at its lowest point (Quake 4, Rage)
Gimmicks that use various types of hardware are nothing new since the days of the Wii made that mainstream, but very few games use your camera outside of a home console for gameplay. While it’s wholly gimmicky and can be played with a controller, the game uses your webcam to see your eyes blinking to determine when to change scenes in the game or interact with objects. Not often does the gimmick feel like it’s influencing something important, but when it does it works well.
You play as a boy named Benjamin Brynn floating along the river of death in a boat with a wolf as a ferryman. He’s to be taken to a being in a large tower whom he has to sell his life story so he can pass on and the ferryman can be paid. You start out as a child and you eventually learn your mother is an accountant and failed music composer and wants you to follow in her footsteps. Each scene is full of mostly black with just what you can remember being in view. Sometimes an eye will appear on objects for you to blink at and interact with. When a metronome appears you can blink and jump to the next scene or try to hold your eyes open and see the scene to the end. Most of the time I couldn’t do it (it’s very dry where I’m at here in the summer).
You slowly progress through the story only to find out that you need to retell the story correctly. I won’t spoil anything as to how or why, but the only times the blinking gimmick felt right was when you had to close your eyes to focus on someone talking. With headphones on this is a great effect. The game does a great job detecting your eyes even in low light, and I was using a laptop webcam which isn’t that great. There isn’t much else to this game. It’s an interactive adventure with interesting visuals. The whole game reminded me a lot of That Dragon, Cancer, but I can’t connect to this game as much as it’s shorter and at the time I was expecting my first child so that game hit home quite a bit. A big fear is your child being born with some sort of debilitating disease.
You’ll most likely not really feel the game’s impact until the last 20 minutes when things get really dark and sad. It didn’t make me tear up, but it was really sad for sure. You can finish the game in about 90 minutes, but I did connect with the character to an extent, but not wholly. The scenes rush by too fast and you’re meant to understand the moral of the story more than connect with the characters and get behind their motives and feelings. I feel a game like this misses the mark due to its short run time, but the gimmick would get tiring for more than 90 minutes.
Overall, Before Your Eyes is a charming game with a lot of heart and a fun gimmick that works well when it wants to. It’s a very short game and doesn’t let you really connect with the characters enough. It’s forgettable in the end, and not as memorable as some other short adventure titles I’ve played in the past, but it’s fun and worth a look.
One of the most obscure gaming handhelds systems besides the Gizmondo is the Nokia N-Gage. I fondly remember this system yet never owned one until recently. I remember the giant cardboard stands in GameStop for it. The system even had its own game rack next to the GBA games. It was a massive deal back in the day because merging cell phones and video games weren’t even a thing yet. The iPhone wouldn’t be out for four more years. Sure, phones could play simple Java games, but just barely. The days where simple Snakes and Tetris were starting to sunset, and we finally were getting real 2D mobile games. But 3D games on a mobile device? It’s why the N-Gage was so expensive. At $299 ($462 adjusted for inflation) you were getting a mobile powerhouse. The graphics capabilities were about on par with the original PlayStation. However, it was the same price as the PS2 and Xbox and twice the price of the GBA.
So, what happened? Well, there are plenty of YouTube videos that dive into the history of the N-Gage extensively, but there isn’t a cohesive guide on how to use one in 2022. There are a lot of roadblocks to getting the game running. You can’t buy games at stores anymore, you can use the device like a cell phone, but it’s impractical today, and it doesn’t take standard removable media. The N-Gage is a pain in the ass to get working for just 65 measly games. However, these weren’t just shovelware. There were released by big AAA companies like Activision, THQ, and EA. This guide will help you choose your device and get you started.
Yeah, so this is at the peak where gaming was full of cringy sexism and objectification of women. Just read any gaming magazine from that time period. Even for a 13-year old, I thought these ads were stupid.
Anyone, Anywhere
The Nokia N-Gage was released on October 7, 2003, to mixed reception. The device looked fine, but it had a few flaws. Firstly the device had to be held like a taco to speak into it and the battery had to be removed to insert games. This was a problem as you could possibly miss a call during that swap time and you had to wait for the phone to restart. It also had middling battery life not just for gaming running at around 3 hours, but for talk and standby time as well. Talk time was around 5 hours. The system launched with 7 titles with all of them being ports. Tomb Raider, Pandemonium, Sonic Advance, Super Monkey Ball, Puzzle Bobble VS, Puyo Pop, and Tony Hawk’s Pro Skater. All were solid titles for the platform, but the fact that these seemed like great to decent ports worried many early adopters. The exclusive and more anticipated releases weren’t set to be released for another 30 days or more. The original N-Gage model was quickly replaced by the QD just 7 months later. The price was reduced by $100 just two weeks after release and games retailed for $30 ($46 adjusted for inflation).
Should you get a taco model? No. Unless you’re a collector there’s no reason to get this version. The only advantage is the USB file transfer so you won’t need an MMC reader and you can use it as an MP3 player if you wanted. They are also more expensive than the QD and harder to find. The N-Gage also boasted its rival to Xbox LIVE which was N-Gage Arena. It’s dead these days but gave way to multiplayer options and game interactivity such as new levels, scoreboards, and more that were never seen before on mobile devices.
The QD model was released in May 2007 to quickly fix many of the original model’s problems. While game stores were thinking about booting the system, the QD put the speaker on the face of the phone and added a card slot at the bottom of the unit for MMC cards and games. The issue here is that you can only have one. Instead of adopting SD cards and having a third slot, Nokia cheaped out. They also removed the USB port, MP3 functionality (most likely a chip they decided to axe), and only a dual-band antenna. The design itself was also rounder and easier to hold. The QD is more available running at around $50-60 and is really cheap.
How Do I Get It Running?
SIM Card
So you just bought your shiny N-Gage and it won’t work! That’s normal. First off, make sure you have a new battery. There is old new stock on eBay as well as third-party batteries such as those from Polar Cell. The model number for the battery is BL-6C. You also need to have a SIM card in the system or it will not run. You will get a continuous “Insert SIM Card” error that you can’t back out of. You can either get one from a local phone store or buy a deactivated one on eBay for less than $10. It’s another cost on top of the system, but unless you already have a full-size SIM card you need to do it.
MMC Card
Second, the games are rather expensive. Some launch titles are under $20 including sports games, but the better exclusives like Ashen are $50+. The rarest game is The Elder Scrolls: Shadowkey which can run $600+. So, holy Christ I just bought this $50 to play some obscure mobile games and the games can cost more than the system?! Unless you’re a hardcore collector don’t bother. You will need to fork out even more cash by buying an MMC card which is hard to find and only really available in China.
There are 13 pin MMC+ cards and 7 pin standard cards. Most plus cards or dual-voltage cards won’t work in the N-Gage. I haven’t been able to get any current 1GB cards you can buy right now to work reliably. I recommend sticking with 512MB cards as it’s plenty of space for games and usually works more reliably. You will also need an MMC USB card reader that you can get cheap on eBay as well for less than $5. The max size you can use in the N-Gage is 1GB. The 2GB cards will not work and are unnecessary anyway. The entire N-Gage library is just a bit over 1GB. You also need to remember to never transfer games via Bluetooth. If your system memory is full during the transfer you can get the “White Screen of Death” and will need a flash box to reflash the system. The system memory only holds 4MB. It seems laughable today, but ROM chips were incredibly expensive up until maybe 10 years ago and the same went for removable storage. In total that’s another $15-20 on top of the $10 SIM Card. So in all, you need to spend $70 or so just to get the system up and running.
Customization
There was not much in the way of customizing cell phones back in the early 2000s. The most you could do was ringtones bought off of stores and wallpapers. The N-Gage doesn’t have much either despite its high price point. I couldn’t even find an option to change the ringtone at all. Wallpapers are about it and I have made a folder of official N-Gage wallpapers resized to fit on the device here. Just place these on the root of your MMC and go into Tools>Settings>Display>Standby Mode and select your wallpaper.
The Games
So there are of course the retail released N-Gage games, but you can’t just get direct ROMs and copy them to the MCC card. You need to get cracked games as these did have DRM. I can’t link to where to get them, but they are available. All you need to do is copy the numbered folder example: 6R31 to the System>Apps folder and it will show up automatically under the main menu. If it doesn’t the game isn’t cracked properly. There are also Symbian games that work on the system as well. While certain Java J2ME games run on the system they must be MIDP-1.0 environment games and they run poorly. It seems the N-Gage just wasn’t designed to run these games. While Symbian 7.0s was released before the QD Nokia did not update the software to run these newer games. So sadly, you are limited in your game selection. The Symbian games run much better on here though. Let’s take a look at the entire N-Gage library. There aren’t enough for “hidden gems” or anything like that. You should honestly check out every single game since there aren’t that many.
A
Ashen – N-Gage exclusive and developed in-house by Nokia. This is as close to Quake or Doom that you will get. It’s a horror-themed FPS and was highly anticipated for the system.
Asphalt Urban GT – A fun arcade racer and one of the few games that got a sequel. This really showed off the graphics power of the system.
Asphalt Urban GT 2 – Back again already? While just as fun as the first game it literally doubles the amount of content. I recommend finishing the first and then playing the second. You’ll get a lot of racing game time on your N-Gage this way.
Atari Masterpieces Vol. I – N-Gage exclusive. An awesome collection of Atari 2600 games. Asteroid, Battlezone, Millipede, and Super Breakout just to name a few. There are also four unlockable games.
Atari Masterpieces Vol. II – N-Gage exclusive. More Atari 2600. More fun. A couple of repeats oddly enough, but mostly all new.
B
Barakel: The Fallen Angel – N-Gage exclusive. One of the few dungeon crawlers on the system and it looked good too. This was a lot of fun and didn’t push the system too hard controls-wise. This was an unreleased game, but a full working copy is floating around online.
Bomberman – A multiplayer classic. It’s 16-bit Bomberman and it plays really well here. Not much content, but still worth a quick playthrough.
C
Call of Duty – A refined port of the PC game. Using a special engine to accommodate the portrait mode. It was one of the few shooters on the system.
Catan – N-Gage exclusive. Released late in the console’s life Catan somehow managed to actually work on the tiny screen. What helped were objectives and a quest mode to also help with longevity.
Civilization – A port of the original PC game, but with the Civ II’s graphics. There’s even a full Civilopedia and tutorial here too! A pretty impressive game overall. There was no multiplayer released most likely because this came out just before Nokia officially axed the system.
Colin McRae Rally 2005 – Overall one of the best racing games on the system. Solid visuals, physics, and somehow managed to just play well on the tiny system.
Crash Nitro Kart – A visually dumbed-down version of the PS1 game. Instead of 3D models, the game uses 2D sprites but still plays fairly well. Sadly, it’s another straight port from an older console.
E
The Elder Scrolls Travels: Shadowkey – N-Gage exclusive. One of the most impressive and sought-after N-Gage games. Period. This isn’t just a fun RPG, but it’s a freaking Elder Scrolls game! It just makes me think more and more how much I wish Travels: Oblivion would have turned out on PSP.
F
FIFA Soccer 2004 – A port of the GBA version, but with 3D stadiums. A fairly impressive game and was a best seller as well.
FIFA Soccer 2005 – More FIFA! Basically the same as the GBA version as well and just new rosters and mostly the same. Try each version to see which you like best.
Flo-Boarding – N-Gage exclusive. A pack-in title for Europe systems only. The was one of the few region-exclusive games. It’s a decent snowboarding game and helped tide, early adopters, over.
G
Glimmerati – N-Gage exclusive. A weird arcade racing game with supermodels to attract the equally strange. Boasted N-Gage Arena features at launch that don’t matter today.
H
High Seize – N-Gage exclusive. A fun strategy game with a lot of content packed in. This is as close to Advance Wars as you will get on N-Gage. Thankfully this game supports hot-seat mode so you can play multiplayer on a single device.
K
The King of Fighters: Extreme – N-Gage exclusive. One of two traditional fighting games and the best on the system. While its controls are limiting it works, and there is Bluetooth multiplayer so that’s not completely cut-off today. It looks good and does surprisingly well on the portrait screen.
M
Marcel Desailly Pro Soccer – An interesting release from Gameloft. While not as graphically impressive as FIFA it’s an alternative.
Mile High Pinball – N-Gage exclusive. One of the few in-house developed games from Nokia and just one of the best for the system period. 85 tables? Yes, please! The portrait screen is perfect for this kind of game. Lots of content here.
MLB Slam! – N-Gage exclusive. The only baseball game on the system. It isn’t graphically impressive, but it is a lot of fun and has a lot of content.
MotoGP – Probably the worst racing game on the system. It’s worth playing just to check out for curiosity. The game was rushed and feels incomplete with missing sound effects and choppy visuals.
N
NCAA Football 2004 – The only football game available. Full 3D visuals and a lot of content.
N-Gage Freestyle – N-Gage exclusive. Another European exclusive game. A weird motocross game mixed with button timings.
O
One – N-Gage Exclusive. An impressive fighting game exclusive to the system. It’s one of the best-looking games on here too. Feels a bit generic, but you can tell effort was put into the game.
Operation Shadow – N-Gage Exclusive. A decent shot at a military-style third-person shooter. Nothing special, but still fun.
P
Pandemonium! – A port from the PS1 version. This was a good 3D platformer despite its weirdness.
Pathway to Glory – N-Gage Exclusive. Probably one of the most impressive and highlighted games on the system. This was a killer app on the N-Gage. A really fun WWII strategy game similar to Company of Heroes.
Pathway to Glory: Ikusa Islands – N-Gage Exclusive. A direct sequel to the first game due to its popularity. More WWII strategy goodness awaits and it has Bluetooth multiplayer.
Payload – N-Gage Exclusive. A 3D car combat game similar to Wipeout.
Pocket Kingdom: Own the World – N-Gage Exclusive. The only MMO on the game and it’s a 2D one at that. You can still play this offline and dungeon crawl and level up. The online features just let you text other players and trade items which isn’t much of a loss today.
Pool Friction – N-Gage Exclusive. Another European-only game. Decent 3D pool and the only one you’ll get.
Puyo Pop – I was fairly surprised a Japanese puzzle game would make it to the N-Gage. It’s standard fare and not much different from the Game Gear of GameBoy Color versions. It’s still a fun puzzle game on the go.
Puzzle Bobble VS – Another great puzzle game. Essentially just good ‘ol Bust-A-Move. It’s perfect for the portrait screen as well.
R
Rayman 3 – A fun port of the GBA version with clean visuals and bright colors. One of the better platformers on the system.
Red Faction – Another high-profile game. While being a port of a PS2 game it worked surprisingly well and is rock solid. It does have control issues, but you can get used to it.
Requiem of Hell – N-Gage Excluive. A pretty decent action RPG with awesome horror and gothic themes.
Rifts: Promise of Power – N-Gage Exclusive. Absolutely rock-solid RPG. Backbone Entertainment was behind the wheel here. They only did one game before this one (an Incredibles game) but would later go on to create Death Jr. for PSP and become a porting powerhouse. It looks good, has a decent story, and has tons of content.
The Roots: Gates of Chaos – N-Gage Exclusive. A simple colorful action RPG. Nothing special, but still really fun.
S
Sega Rally Championship – A port of the Dreamcast version. This is a great game…to see just how not to do a racing game on the N-Gage. Yeah, this was a pretty awful port, but fun to play just to see how things could really go wrong on the system. It was only released in Europe so US gamers didn’t miss anything.
The Sims: Bustin’ Out – A port of the GBA game, but has N-Gage exclusive mini-games. If you like the Sims you will like this as well.
Snakes – N-Gage Exclusive. What would a Nokia phone be without a Snake game? This is the sixth generation of the game and is now in 3D! It was available for free on the N-Gage website and could be transferred to any other N-Gage via Bluetooth or Nokia N95 phones. However, only the N-Gage got the full 42 levels.
SonicN – A middling and lazy port by Dimps. This is a straight port from the GBA Sonic Advance, but instead of tailoring the game to the portrait screen, it’s just filled in from the top and bottom with a large border. The play area is incredibly small and it doesn’t run at the best framerate.
Space Impact Evolution X – A port of the Symbian version. Just a simple arcade shooter and high-score game.
Spider-Man 2 – A short but sweet N-Gage exclusive version. This is a 2D platformer with 3D races against time. You can probably beat it before the battery even dies.
SSX: Out of Bounds – Being the first mobile SSX game it had a lot of attention. Even my 13-year-old self at the time was reading about this game for N-Gage up to its release. It works surprisingly well but sadly had no online multiplayer.
Super Monkey Ball – Being a port of the GBA game it actually is in full 3D and plays better than the GBA version. It’s a lot of fun with a ton of levels and works well with the portrait screen.
System Rush – N-Gage Exclusive. One of the best games on the system. A mix between F-Zero and Wipeout. The excellent-looking tracks and models show what the N-Gage can do graphically.
T
TechWars – N-Gage Exclusive. A simple mech game. Great visuals.
Tiger Woods PGA Tour 2004 – Not the best version of the game, and not having an analog stick makes swinging less accurate, but it’s still a solid title. A little more 2D than 3D graphics here.
Tom Clancy’s Ghost Recon: Jungle Storm – A port of the PS2 exclusive. Ubisoft did a fantastic job here and it’s one of the best-looking N-Gage games. It also received a lot of press and attention. I remember fondly seeing ads for this in GameStop at the time.
Tom Clancy’s Splinter Cell: Chaos Theory – Another high profile game for the system and a true killer app. This is one of the few games that really showed how to do games right on the N-Gage.
Tom Clancy’s Splinter Cell: Team Stealth Action – A weird choice despite how impressive Chaos Theory is. This is a more traditional phone-style game and is a 2D platformer. Still great, but not as good as Chaos Theory.
Tomb Raider – A port of the PS1 game. While technically impressive the controls take a lot of getting used it and it plays link a tank.
Tony Hawk’s Pro Skater – A fantastic port from the PS1 version. It plays incredibly well and has a smooth framerate.
V
Virtua Tennis – Ideal for quick game sessions and a disappointing port of the Dreamcast version. The game is mostly 2D sprites, but it still plays decently enough.
W
Warhammer 40,000: Glory in Death – N-Gage Exclusive. A pretty good strategy game overall. It’s a shock that this genre is one of the strongest on the system despite the hardware and screen working against it.
Worms World Party – Again, another solid strategy game for the system. This is one of the best mobile Worms games you can play.
WWE Aftershock – N-Gage Exclusive. A surprising 3D wrestling game and the only one on the system. It’s mostly playable, but it’s not the best it could be.
X
X-Men Legends – A fantastic dungeon crawler hand-tailored for the N-Gage. This is one of the best games on the system.
X-Men Legends II: Rise of Apocalypse – Another fantastic dungeon crawler like its predecessor. While it plays it safe it’s basically more X-Men Legends goodness.
Xanadu Next – N-Gage Exclusive. An early release title, and while not the best RPG on the system, it’s still pretty decent.
With most consoles gaining ground with their subscription platforms and Microsoft killing it with Xbox/PC Game Pass, Apple and Google both grabbed that idea and did their own thing. Google Game Pass just isn’t that great, but Apple Arcade features many exclusive big-budget titles. While the platform has a trickle of game releases, this was a solid year for the paltform. It helps show that Apple cares about quality mobile gaming and controller support.
Punishing Gray Raven
Gray Raven is a fantastic action game with stunning visuals for a mobile game. It has fun characters, a fast-paced and crazy fun combat system, and overall features a nice anime style story. While it’s nothing mind-blowing compared to console games, it is still a great feat on the system with controller support to boot.
Due to the lack of console exclusives now I had to add some categories. This new one is all about which system just had the best year. This can include really well-done hardware upgrades, great console exclusives, the least amount of terrible launches, the least amount of bad controversy, new software upgrades that are a major deal.
The Switch had a rock solid year despite chip shortages. The Switch Lite and even the bigger version were avaiable all year in stores — the only console you could pick up all year. The Switch OLED launched in October with a higher price point, but a more premium feel and a fantastic OLED screen. There were also rock solid exclusives releasing nearly every month and many of them reviewed well and were worth owning. We didn’t get many awful launches, and bluetooth audio was added as a feature this year as well which was a huge deal. There was some great official accessories released like the Skyward Sword HD Joy-Cons. Overall, this was just a positive time to be a Switch owner.
Space rock operas aren’t something you see in gaming much and The Artful Escape is a visual and auditorial treat for the senses. You play as a young boy who is living in the shadows of his late uncle who was a famous folk singer in the town he lives in. He feels forced to follow in his footsteps when he actually is a metalhead at heart. You are sent on an acid trip of a space rock opera through a universe of weird space creatures and worlds. You meet a man named Lightman (voiced by Carl Weathers of Rocky and The Predator fame) who is the most famous person in this universe and shreds like no other. He wants to help you overcome your fear of being yourself and you go on a journey together to impress the Tastemaker who is the ultimate deciding creature in this universe.
Don’t think too much into the story as it’s mostly filler for just a sidescrolling walking simulator with light rhythm mechanics. You move always to the right and can hold down a button to shred your guitar. It sounds awesome and I never got tired of hearing the licks repeat, and each planet has its own licks, but the visual flair and usefulness of these are never explained and despite being able to just hold down the button and shred while you slide down slopes, jump over platforms, and bounce on things some times the background interacts and the background music will swell as you jump and shred. It’s cool when it does and sometimes gave me goosebumps because the music is so good, but 75% of the time I was just holding down the button not sure when it will trigger an interaction.
At the end of each stage, you come across a boss of sorts that displays a Simon Says-style rhythm pattern. There’s zero challenge here as you don’t need to memorize anything as you can play as the buttons appear. You also don’t get penalized for messing up and that note just starts over. I found this mechanic fairly pointless and just filler as some of these sessions are only a few notes long. It sounded and looked cool, but that was it. There’s pretty much zero gameplay here. The sidescrolling and shredding are literally an excuse to turn this story into a game. I also loved the art. There are crazy creature designs lots of vaporwave aesthetics going on with a menagerie of lights and colors all over the place. Sadly, that’s all the game really offers. While the voice acting is also good, the dialog isn’t anything exciting and I didn’t care at all about any of the characters. The game is so short that you don’t get any time to really invest in these characters.
So what we get is a three-hour adventure with great visuals and music, but boring gameplay mechanics that only enhance the game in rare moments. I also found the engine is poorly optimized as even on high-end hardware the game dipped well below 60FPS in some areas with lots of lighting effects going on. Turning everything down to low didn’t help much, so this is clearly an optimization issue. With that said, The Artful Escape is great for metalheads who want to chill out for a few hours and enjoy the visual treat, but otherwise, you aren’t missing much here. This sadly is just another adventure game where the developers think it’s cute or revolutionary to forgo any gameplay and solely focus on the visuals and music, but they forget this is a game first.
When I think of casual games I usually think of games that are relaxing, stress-free, usually offer a good story and characters, and have a great world to explore. With mobile games, this is true as well, but I feel that despite how great Assemble with Care is it’s held back by the casual game constraints too much. The mechanics and idea of taking apart devices and fixing them is an itch that games like House Flipper and PC Building Simulator scratch, and when I saw Assemble with Care I thought it was going to be the same. The fact that a voiced narrative is included was just a bonus.
You play as a female hobbyist repair woman who travels to Belariva for a vacation and relaxation when she ends up getting involved in the town’s squabbles. She runs into a mayor and his daughter and a cafe owner and her sister. She is the key to getting each party to resolve their family issues and of course, her tinkering helps that. The story itself is well voiced and UsTwo games are well known for gorgeous visuals and unique gameplay, but the game falls short here. Every chapter, out of thirteen, has a device you need to disassemble and fix and it’s really neat. I couldn’t wait to get the next device as they did get slightly more intricate as you went on, but the game handicaps itself by allowing snapping of parts that are allowed only in one spot so it’s not really a puzzle anymore. The biggest challenge came in disassembly as there’s not much to tell you how to do this.
Various devices range from a GameBoy Advance SP, a watch, a music box, a record player, a portable cassette player, and others. You get everything you need laid out in fronts of you such as a screwdriver and cables or various parts to repair the item. Long pressing allows you to take things apart and there is a swiping motion for screwing things in and out. You can rotate the device as every side needs to be inspected. Most of these puzzles can be completed in just a few minutes and each chapter has voice dialogue at the beginning and end.
The art is great in both the story stills and the 3D graphics of the objects. Bright watercolor drawings and flat pastel textures just pop on the screen. I didn’t want the game to end, however. I felt like more chapters could be added as the story isn’t memorable but entertaining and a bit touching. I still wanted to know the fate of each party’s families and for less than an hour of gameplay, UsTwo did a great job with the storytelling. Sadly, once the game is over there’s no reason to go back at all. The puzzles will never change and they’re way too easy to be replayed. I wish the puzzles weren’t as easy and had more intricate and smaller parts or just something more complicated.
When it comes to “vise” type controller for phones there’s been an increasing demand for quality now that mobile games are pretty much console quality. We still get nice simple games, but sometimes we want our console experience to be super portable. It used to be that Apple took quite a while to catch on to official controller support. It wasn’t until iOS 13 that Bluetooth controllers for officially supported. They have been available on Android for nearly a decade, but the cheap Chinese devices never quite held up. So there are two animals you can tame. The traditional controller with a phone clip or the vise style controllers. I personally prefer the vise as it feels more like the Switch or a traditional handheld console. I always felt the controller and clip were super heavy and view angles got weird.
Within the last couple of years, major gaming companies are making official controllers for phones. With games like Call of Duty: Mobile, PUBG, and GRID: Autosport, there’s a reason why. These games play phenomenally better with controllers. The Kishi isn’t perfect, but it does a great job giving us quality where we need it. The vise actually folds into itself which is something I can’t say for cheap Chinese devices which I have used. They have this weird sliding mechanism that’s spring-loaded and just felt too rigid and universal. This controller is hand-tailored for iPhones and using my iPhone 12 Pro Max was a dream with this controller.
The first issue I ran into is that unfolding the device is a pain. There are two pull tabs that are oriented awkwardly and don’t have a nice snap or click when they unlatch. You have to pull the simultaneously and just let the controller kind of fall apart and some wiggling is required. The controller is basically two halves of a controller that is connected with a soft rubber band that is anchored with plastic pieces at the end that have a peg that allows for stretching. There’s a rectangle backpiece in the middle that has support pegs that rest on the back of the phone. It feels tight and I never felt like the device didn’t stretch enough or too far. There are spacers for smaller iPhones so the band still gets tight. You insert your phone into the lightning port side and slide the other half on and it just pulls tight and it works. The right side is solid, but the left side has a bit of giving and wiggle, but this is because there’s no port to keep it in place, but I never noticed this while gaming ever.
The controller feels solid in the hands and like a handheld system. Of course, ergonomics are only half the battle and the other half is how the buttons feel. The alternate analog placement (Xbox style) feels amazing. These are some damn fine analog sticks and I felt they weren’t too loose or tight. They click nice and are just full-size analog sticks that feel similar to an Xbox One controller. The D-Pad is weird, but at least it rolls and rocks and isn’t separated like the Switch or PS4. You can easily use this with fighting games is my point. The face buttons are similar to the Switch but feel a tad stiff. They aren’t loud and clicky like Moga controllers are, but you eventually get used to it. I noticed that after a week they loosened up a tad. The Kishi has triggers similar to the Xbox and two shoulder buttons. The shoulder buttons are stiff as well and the analog triggers are a little loose for my taste, but you get used to them and they aren’t a deal-breaker.
There are three other buttons: one for recording and taking screenshots, a home button, and a menu button. They are located below each analog stick and are out of the way. Other than that my next favorite feature is the passthrough charging but it’s oriented at the bottom and out of the way of your hands. This allows for longer tethered gaming sessions. You can use a power bank in your pocket or sit near an outlet, it’s great. When you’re done the controller easily snaps back together, but only after you figure out how. You have to orient the tabs inside just right or it won’t go together. It took me too much time trying to figure this out, but essentially the small gray tabs on the inside need to touch and you know it’s oriented correctly. Then the back plastic piece just snaps on to keep the halves together. It’s a rather compact thing when it’s all said and done and easily fits into small pockets.
With that said there’s not much left to say. There is an app that upgrades the firmware, but mine didn’t need it. Other than that if the game supports controllers it will recognize this device. I have yet to play a game that supports controllers that won’t see the Kishi. The only issue was Real Racing 3, but there’s been a long-time glitch that requires you to put the game in airplane mode to use controllers, so that’s not Kishi’s fault. For the price point, you’re paying for quality and this is well worth $100. I know console controllers are $40 cheaper, but this thing is a bit more complicated to make and has more moving parts. I think it’s well worth the money and turns your iPhone into a portable handheld gaming device.
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