Nintendo Consoles

Doom Eternal

Posted by BinaryMessiah on 10/27/2020
Posted in: Microsoft Consoles, Nintendo Consoles, PC Reviews, PlayStation 4, Sony Consoles, Switch, Xbox One. Leave a comment

Publisher: Bethesda Softworks

Developer: id Software

Release Date: 03/19/2020

Rating: Mature

MSRP: $59.99

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Doom (2016) helped resurrect the aging and dying franchise. Doom 3 was scary and atmospheric but lost the fast-paced action of the original games. Doom bought this back in 2016 with a rocking soundtrack, fantastic visuals, fast-paced shooting, and what felt like Doom brought into the future, it was nearly perfect. Eternal follows in the footsteps of Doom 2016 by trying to expand the lore, story, and combat altogether. It does a great job doing this, but it does bring about some problems that didn’t exist in the first game. 

You are still Doomguy or the Doomslayer trying to stop Hell from invading Earth. id Software did a great job expanding the lore via a codex that has some interesting reads on the backstory of the Doomslayer and his origins and what the world is that he’s trying to save and destroy. The locations are more varied this time around with more back and forth between Hell and a mix thereof. Combat is basically the same as well as the demons you encounter minus a few additions. A new shoulder blaster has been added that can shoot fire or ice bombs as well as a flame. I feel this was probably the most useless addition as it’s one more thing to remember while you’re furiously trying to kill enemies. The ice bomb can freeze a group of enemies if you’re backed into a corner and the firebomb does a decent amount of splash damage. The flamethrower though…what was the point? On the other hand, you have a new super punch ability which can be used to knock out some demons’ armor and open walls for secrets. You also get a new dash ability as well which is used for platforming.

That’s another thing that’s been added is more platforming. You can wall climb on some surfaces and jumping from platform to platform works well enough but feels wholly unnecessary. Secrets consist of numerous items from songs to unlock to play in the Fortress of Doom, codex pages, toys, and an all-new upgrade system for the Praetor Suit and weapons. Weapons get two mods each and can then be upgraded with weapon runes. There is also a mastery upgrade that requires certain requirements to be met or you can skip the challenge with a mastery token. You can also upgrade your health, armor, and ammo with certain passive benefits. There’s a lot of upgrading and acquiring and I feel this is an excuse to make the game feel artificially expanded. I preferred the simpler game of Doom 2016 with regular upgrades found. I feel Eternal is doing too much for a game that’s supposed to be very simple. I also feel the new reboot series has run its course at this point. There’s not much else the game can do really.

The combat itself feels fine and is incredibly challenging and mostly unbalanced towards the last few levels. There are 14 missions so it’s much longer than the last game running about 10-15 hours if you explore every nook and cranny. I found exploring for secrets quite enjoyable and fun as everything is on the map and you just need to figure out how to get there. There are also combat challenges such as timed gore nests, and crucible challenges that give you keys to unlock a hidden weapon. You can find sentinel batteries to unlock rooms in the Fortress of Doom which is the new hub area that also has upgrade items locked away. It’s fine enough, a pain to navigate, but an interesting idea. I again feel that Eternal strays a little too far from the traditional Doom path in favor of more modern methods to make the game feel bigger and expanded when in essence most people come to Doom for the visuals, gore, fast-paced shooting, and interesting levels.

Speaking of levels, the game does overstay its welcome around mission 10 and feels like it just drags as you chase the final boss around. Not only are they incredibly difficult and almost unfair, the levels end up being repeats of previous levels, and the Urdak level is boring to look at. I do like the first 8-10 areas as they are interesting to look at with demonic imagery, gore, and just overall interesting atmospheres. The demons are great to look at and fun to shoot and tear apart. The quick-time event animations are much faster this time around and more varied. Each demon has it’s own set of front, aerial, and rear animations. Blue for health and orange for more ammo. You also have your chainsaw with three fuel cans to get yourself a large number of orbs, but this also is one of my gripes with the game. You have to rely on using the chainsaw to acquire ammo and health from enemies more than you do picking them up around you. Instead of giving us larger ammo capacities, you have to constantly scrounge for ammo and it drives me insane. I understand you run out of ammo sometimes in Doom, but every 5 minutes? I would die sometimes because I ran out of ammo and chainsaw fuel so what do you do then? Use your super punch and hopefully have a weaker demon around for a scrap of ammo. This focus on ammo scrounging really needs to shift in the next game.

The multiplayer in Eternal is much better than Doom 2016 as PvP is out the window this time in favor of demons vs the Slayer. Two demons and AI bots versus one Slayer is kind of fun at first, but after about 3-4 hours in these modes, I was over it. It just doesn’t hold my interest like Unreal Tournament or Quake’s Deathmatches did. Doom was never really well known for multiplayer and while it’s much better here, I wish id would just focus on the single-player only. Overall, what we get is a great sequel to Doom 2016 with fantastic visuals, a rocking soundtrack, great weapons to shoot and demons to kill, and just amazing fast-paced shooting. The last few levels are boring and overly difficult and the added stuff to combat feels like filler and fluff to pad a game that was already great.

I Am Dead

Posted by BinaryMessiah on 10/11/2020
Posted in: Mac, Nintendo Consoles, PC Reviews, Switch. Leave a comment

Publisher: Annapurna Interactive

Developer: Hollow Ponds

Release Date: 10/08/2020

Rating: N/A

MSRP: $17.99

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I Am Dead is a curious object hunting game about a ghost of a museum curator. That may sound boring on paper, but it’s quite charming and the mini-stories within are nice enough to keep the game moving along. You discover you have died, of what is unknown, and you can see through objects like a ghost or “slice” objects. This is a game all about a no-clip camera! It’s pretty cool at first as you can push the camera through an object to see what’s lying or hiding underneath. This is 100% a hidden object game with a larger budget is. The goal of the game is to find a spirit that can take over quieting the island of Shimerston as the volcano is about to erupt. You slowly learn of the island legend and the 5 main characters you need to try and convince to do the job.

There are 5 objects to find in each level. You spin around an area with smaller areas to click on and then the object hunting begins. To know what you are hunting you click on characters with bubbles as you will recall their memory and the main object they are talking about in that memory is what you will hunt. The stories are the most charming part of the game. They are super short but well written and during these stories rotate some sort of weird globe to focus the picture into view. It’s pointless, but it’s something to do during all the talking. Once you know what object you need to find is you will get a hint if that object is in the area you clicked on by the icon popping up on the screen. It was never too difficult to figure out what the items were, but the optional Grenkins objects are a lot tougher. This is a side puzzle that requires you to rotate a certain object like a shadow game so only part of the camera clips through and it looks like the icon. If the Grenkin object is what you clicked on Sparky, your canine companion will bark so you aren’t aimlessly rotating every object. There are additional tougher objects to hunt if you can find the secret list. These are tiny objects hidden inside others such as toys or bugs and you only get descriptive hints as to what they might be. 

To be honest, the game shows you all it can do in the first ten minutes, and outside of hunting for the main items, I collected Grenkins for two levels and stopped. It was just too much to endlessly rotate and hunt objects forever as the main story was already asking for a lot. If you really love the gameplay mechanic here then it’s for you, but after so long I tired of it and wanted to see the story progress. There is literally nothing else to do in the game outside of object hunting as that is the sole mechanic. At least the areas are all varied and no single object was the same. You can finish the main story in about 4 hours, but if you collect everything you might be here for over 10. The visuals are quite charming with a flat pastel color and low poly objects. It has a unique look and each item is surprisingly detailed both inside and out. There are hundreds of objects to examine and it’s quite impressive that the developers went through all that effort. The voice acting is also quite good and it helps seal the aesthetics. 

Overall, I Am Dead is a fun object hunting game for a few hours, but the story, in the end, doesn’t wow you or have a twist ending. It’s pretty predictable and the extra puzzles aren’t worth your time as there is no reward outside of just doing them. The visuals are charming and there is a lot of detail put into the objects you examine, but the entire game shows everything it can do in the first ten minutes and never evolves beyond that. If there was something more to this game outside of just clipping through objects for 4 hours until I find what I need I would stay longer, but this game is mostly for object hunting fanatics.

Blair Witch

Posted by BinaryMessiah on 10/04/2020
Posted in: Microsoft Consoles, Nintendo Consoles, PC Reviews, PlayStation 4, Sony Consoles, Switch, Xbox One. Leave a comment

Publisher: Bloober Team

Developer: Bloober Team

Release Date: 08/30/2019

Rating: Mature

MSRP: $29.99

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The Blair Witch Project was a movie that scared the living crap out of me as a child and is still scary to this day. The mockumentary style film was done very well and was so convincing my own mother thought the movie was real lost footage for the longest time. The iconic effigy of the stickman, the child handprints, standing in the corner, the cabin in the woods with the basement, all of it is in this game. You play as Ellis Lynch who is a sheriff in the town where the Black Hills Forest lies. You are trying to find a lost or kidnapped boy named Peter Shannon. Ellis ends up fighting his own demons and becoming another victim of the Witch and the forest.

The game starts out easy enough and scare-free. You get introduced to the game mechanics and the walking simulator begins. Within the first 20 minutes, the first scares start, and you are already lost in the forest. Through the entire game, you have a canine companion named Bullet who is used to sniff out clues when you find items in the forest to progress further to find Peter. You get a few tools such as an older camcorder, a flashlight, a cell phone, and a walkie-talkie. These are all used in the game for scares and jumps and they’re used really well. You can hail Bullet and call him towards you or have him seek to find the next area to explore, but this stops about halfway through the game. A weird “combat” mechanic is introduced and only used a few times by shining your flashlight on ghosts/demons that run around and circle you. Bullet will growl in their direction and if you don’t flash them to death quickly they will kill you. It’s only used a few times and I felt it was scary the first time then underwhelming thereafter.

Most of the game is comprised of walking around collecting photos, breaking effigies, and finding tapes. The camcorder is well used here as it is both a gameplay tool and used for story purposes. Red tapes allow you to manipulate time by rewinding events so they open passages or leave items around Ellis. It’s not super hard to figure out as each clip is less than 20 seconds and it’s very obvious what the game wants you to pause on. The blue tapes just add story context, but the camera is used later in the game as a way to see hidden objects such as trails and enemies as your flashlight eventually becomes useless. The game isn’t an open world, but the areas are large and you will spend each section solving some sort of puzzle, but exploring the game is downright frightening. Bloober did a phenomenal job scaring you with real terror and fright. They use the unknown for a fear factor and you never know what’s lurking in the woods. You feel isolated, alone, scared, and for the longest time, I didn’t’ want to play the game as I was really scared. One scene in the middle of the game has Ellis trying to clear a path in a sawmill and running around the area in the dark with the only lights that make you feel safe, even for a few seconds, die on you and go out makes the terror that much better. 

However, as the story progressed I didn’t understand what was going on at all. There were scenes where Ellis was having flashbacks of war, but it never stated he was in one, at least not that I remembered. He’s obviously struggling with depression and PTSD as he’s constantly fighting with his wife on the phone and has a record of going crazy. I just never understood how the forest worked, or how the Blair Witch was incorporated into all of this. It’s obvious the 90’s film’s influence is present with a campsite that has the tent the crew used in the film with the flannel shirt, the cabin at the end of the game is almost a spitting image and is the scariest part of the game, but this section drags on way too long lasting 45 minutes. I was running down endless hallways with my camera and the story pretty much stopped here. I didn’t learn anything new about Ellis or the Witch or what is going on. It was just random events that we already know and jump scares. Having to creep around parts of the house to avoid enemies was scary, and using the phone’s messages to tell you not to look up or writing that said look away was sending chills up my spine, but this endless rat’s maze is one of Bloobers largest problems in their design. Both Observer and Layers of Fear suffered the endless hallway syndrome with no story progression and random events. 

When it was all said and done the game has an amazing atmosphere and should be played during October or a sleepover or something. It’s very entertaining and the puzzles are very light and there are tons of scares here for most people. I would have liked a better story, stronger characters, and more explanation of the Witch, the forest, and the entire legend overall. The game is very short ending in about 4 hours and there are zero reasons to go back outside of scaring new friends. The game looks really good with great lighting effects, but it has an overall stiffness to it that I didn’t like. Bullet’s AI is dumb as dirt as it actually broke my game a few times requiring restarts as he couldn’t find a certain path or would blip out of existence and break the game. The game is also horribly optimized and runs poorly on PC even with high-end hardware. There is also no ultrawide screen support. Overall, the game is a fun and scary afternoon, but don’t expect a good story or anything like that.

Distraint 2

Posted by BinaryMessiah on 09/27/2020
Posted in: Microsoft Consoles, Nintendo Consoles, PC Reviews, PlayStation 4, Sony Consoles, Switch, Xbox One. Leave a comment

Publisher: Jesse Makkoken

Developer: Jesse Makkoken

Release Date: 11/13/2018

MSRP: $8.99

Rating: N/A

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I never played the first game, but Distraint 2 caught my eye due to the visuals and atmosphere it portrayed. You play as a man who is faced with severe depression from the guilt of evicting tenants from their living spaces. While this is his job he can’t take the guilt anymore and tries to commit suicide. You then play the split second that flashes through your head before doing so to regain hope and fight the darkness within. It’s a touching story and really shows people the process of grieving and depression and helps spread the message that mental health is a serious issue.

The game is played on a 2D plane and puzzle-solving. The puzzles are light and simple with the most complicated being a slider puzzle (which I despise) but overall the puzzles aren’t tough. There is a lot of finding this object and place it in the right spot, but the three chapters are short and it’s hard to get lost. You move from room to room just discovering what can be examined or talked to and then remembering where that piece goes. The game’s enjoyment is mostly in atmosphere and horror. Every so often a Creature of Fear will appear and you must hide until it passes. The sounds are eerie and the visuals are a treat.

There’s honestly not much game here. With each chapter there is a lot of dialogs to move the story forward, there’s a small green orb to save your progress, and then you just move from room to room to find all the objects to move on to the next chapter. At least the areas didn’t overstay their welcome and it was some labyrinthine complicated mess that some 2D horror games end up being. Each room was easy to remember and was distinct so once I found an object I had that “A-Ha!” moment of where it would go. It’s pretty satisfying and the game pushes you through at a steady clip not being too slow in any one spot.

The visuals are a mix of 8-bit pixelation, lots of grainy filters, eerie music and sounds, and a lot of camera tricks and overall just a foreboding sense of dread. The game pulls this off well and it was rather intense through most of the game will little reprieve in between. The problem is the game is about 2 hours long and there’s no gameplay really. I love these “walking simulators” that tell great stories, but rarely have they been done well and are memorable. If you have a short run time and there’s no game really you are totally relying on characters, story, and atmosphere and if those aren’t out of this world it won’t impress most people. While the game itself and message were fine, I didn’t care about the characters and pretty much forgot about the game after turning it off. 

Samurai Jack: Battle Through Time

Posted by BinaryMessiah on 09/11/2020
Posted in: iOS, Microsoft Consoles, Mobile Reviews, Nintendo Consoles, PC Reviews, PlayStation 4, Sony Consoles, Switch, Xbox One. Leave a comment

Publisher: Adult Swim Games

Developer: Soleil

Release Date: 08/21/2020

Rating: Teen

MSRP: $39.99

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Action games during the PS2/Xbox era are an entire evolution of their own. This is a pocket of the game that has evolved and also evolved itself at one point. Linear levels with simple combat was a run-of-the-mill action game back in the day, and a game releasing like that in 2020 is a bit of a gamble. While I’ve never seen Samurai Jack, the gameplay style from 15 years ago is what drew me in.

I have to emphasize right now that this game is mostly for Samurai Jack fans. The art, story, characters, and everything else are meaningless to anyone but. While I appreciate all of this I couldn’t follow the story and had no idea what was going on. An evil entity named Aku has sent Jack back in time through multiple dimensions and Jack must stop him. It seems rather simple and bare-bones, but fans of the series will get it more. I won’t ding the game on that merit, but even for a show tie-in, the story is rather simple and basic.

Controlling Jack is a lot of fun. He double jumps, swings a weapon, throws projectiles, and has a special move. He can wield heavy and light weapons from staffs, swords, sickles, clubs, hammers, and axes. It seems like a large arsenal, but there’s not much difference between this outside of damage and speed. I honestly stuck with the sword through most of the game as I also dumped most of my coins into training for that. Jack can also throw various things like knives, shurikens, axes, use pistols and machine guns, as well as bows. It’s a large arsenal and different projectiles do different damage and ammo is scarce so I mostly saved these all for boss fights.

Jack also has a light and heavy attack and can dodge and block. Acquiring spirit fire allows him to unleash a powerful attack and each weapon has its own attack. It’s a decent enough system, and I felt like I was playing a game from 2005 which is both good and bad. If this game were to have come out back then it would have been considered amazing, but today it’s just a nostalgic trip that feels rather average. While everything works and the controls are responsive I just felt the game’s repetition and linearity hurt it quite a bit. I don’t need every game open world, but these games are freakishly claustrophobic with the only way forward is straight. There are side paths to take to find chests that have various items in them, but the extra effort usually isn’t worth it.

You can find shops that allow you to buy weapons and training as well as repair weapons as they are breakable outside of your magic sword. This is why I just spent and saved for training the sword. It’s kind of a broken system just like the upgrade tree. There are three categories for physical, combat moves, and spiritual for things like spirit fire recharge, but you’re going to eventually get most of them. Each one is locked off so you have to buy the one before it anyway. This almost feels useless as you don’t get a direct choice.

The game is also sickeningly repetitive. After level 5 I couldn’t take it anymore. You just fight wave after wave of enemies with various health bars and then a boss at the end. It’s nothing special and gets rather dull quick. Sure, the game looks good and has lots of detail in the characters and environment, but only fans of the show would truly appreciate this. Once you finish the first level you have pretty much-seen everything. You just play it like that 8 more times. The game also isn’t very challenging as most enemies are dumb and rely on their annoying attacks (like zombies burrowing underground and popping up under you) or swarming you until you die.

Overall, Battle Through Time is a love letter to early PS2 era action games, but there are games from that era that still do it better. Overly linear, repetitive mindless combat, useless upgrade tree, and a story that only fans would appreciate aren’t enough to save this game. It looks good, sounds good, and plays well, but the overall package is just meh.

Inmost

Posted by BinaryMessiah on 09/06/2020
Posted in: iOS, Mac, Mobile Reviews, Nintendo Consoles, PC Reviews, Switch. Leave a comment

Publisher: Chucklefish

Developer: Hidden Layer Games

Release Date: 08/21/2020

Rating: N/A

MSRP: $14.99

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I know pixelated 2D games have been done to death these days, but sometimes they really stand out. Inmost has detailed visuals, great animations, and an interesting and engaging horror theme and atmosphere that kept me sitting through until the end. While the story isn’t all that great, the message at the end of the game makes it all worthwhile.

You play as a few characters in this game. One is a middle-aged man, another is a knight, and the third is a little girl. You jump between the three as the story unfolds and each has a unique control scheme. The man can jump around and find objects to progress, the knight can engage in combat, and the little girl can’t jump, but must crawl her way around a house lifting objects to create steps and unlock the secret of this house. It keeps the game fresh and moving, but most of the game is played as the man.

The entire area is quite large that you explore and backtrack through. Climbing around the levels also requires dodging black matter that can attack you and there are even some intense chase scenes. You are solving puzzles, pulling levers, and switching, and like Metroid, you are also finding new objects to progress through the level. A crowbar, pulley, knife, pickaxe, and more are needed to progress along with the occasional key. The game was never too touch and I enjoyed how the game made me think a little bit. There is some clever level design here as I actually remembered where doors and entrances were as I progressed. By the end of this entire area, I actually memorized the entire thing and could backtrack anywhere with no issue or a map. That takes skill and I commend the developers for creating such a great map with memorable landmarks.

Playing as the knight, you can swing your sword and use a hook shot to get around, but you can’t jump. The enemies vary with numerous hits needed to defeat them, but overall these are easy areas. If you die you literally just respawn in the same spot so the game is very forgiving. As the little girl, you must walk around the house moving chairs, opening cupboards, and finding secret entrances in the house and I found it quite entertaining. Without giving too much of the story away there’s really not much here and it mostly makes zero sense. I know there’s something about a Soul Flower and the knight is trying to take them for himself and stealing other Soul Flowers is required to give to the Keeper which is a giant guardian type thing. It makes no sense honestly. Even at the final 15-minute cut scene I couldn’t really figure out what was going on, but without spoiling the very end the message is what counts the most and it was rather touching.

The visuals are great with lots of dark colors, great pixel art, smooth animations, and tons of atmosphere. The game is a treat to look at, and the music is amazing. There’s quite a bit of emotion in this game, and I just wish the story was a bit more comprehensive to make the whole package feel a little more complete. As it stands, Inmost is a great 2D platformer that takes around 4 hours to complete. It’s a small investment for a great ending and some fun and challenging puzzles and platforming. If you don’t like modern 2D pixel art games, this won’t change your mind, but for fans of Metroid and Castlevania, there’s not much to lose here.

Gris

Posted by BinaryMessiah on 09/03/2020
Posted in: Android, iOS, Mac, Mobile Reviews, Nintendo Consoles, PC Reviews, PlayStation 4, Sony Consoles, Switch. Leave a comment

Publisher: Devolver Digital

Developer: Nomada Studio

Release Date: 12/13/2018

Rating: Everyone

MSRP: $14.99

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I love artsy games. Some times it’s nice just to sit back and play a casual game that is a visual treat. Gris is one of these games. Like many other games before it, it offers tight gameplay, but short and sweet experience. There’s really no story here, and you have to make what you can of the story based on context only. You play as a woman who loses her voice to a dark force that seems to swallow up all the color in the world. It’s your job to get that color back and your voice. That’s the only thing I got out of this entire game story-wise. I wanted something more, there are games that have told breathtaking stories on just context alone such as Journey, but what’s here is fine.

The game is broken up into three levels based on colors. In the color Red, you gain the ability to weigh things down. You jump around platforms and have to figure out various platforming puzzles. Using your abilities you must navigate the area to acquire stars to unlock the next section and finish the level. These are rather clever and I never got stuck, but I was challenged. I had to think and it quickly clicked after a few tries throughout the game on most puzzles. The controls are great and not floaty or slippery. The girl has a nice momentum with the ability to glide, double jump, and swim which is all acquired throughout the game.

The second level, Green, is probably the easiest and most laid back level. There aren’t many platforming puzzles, but there are challenges instead that require good timing. You find a woodland creature companion part way through and you use him for a few challenges, but this level was not difficult. I acquired the double jump ability here and this opened up more challenges.

The final level, Blue, is a mixed underwater and upside down platforming and the levels are labyrinthine and challenging. I didn’t get too lost in this level, but I did wander around a little more than I wanted to. You have to use everything you learned to beat this level and that includes platforming challenges that combine all of your abilities and precise timing. This game isn’t quite a breeze as it did work my brain a bit which is nice. Throughout the game, there are a couple of scripted chase scenes with the dark void that took your voice which changes the pace up a bit, but overall it’s very nicely paced and I was able to play all 3 hours in one sitting and was sucked in.

While the game lacks in story it makes up for in gameplay with challenging platforming, some puzzles, and a gorgeous watercolor art style that is just a joy to look at every second you are in the game. This is Gris‘ main draw is the eye-catching art style. I wanted to know more about this mysterious girl, but we just got platforming instead. Oh well, as it stands it’s a must-play for fans of games like Journey or The Unfinished Swan. I had a blast, and while the game itself wasn’t memorable, the art style is striking enough to remember.

Trials of Mana

Posted by BinaryMessiah on 05/20/2020
Posted in: Nintendo Consoles, PC Reviews, PlayStation 4, Sony Consoles, Switch. Tagged: , , , . Leave a comment

Publisher: Square Enix

Developer: Xeen

Release Date: 04/24/2020

Rating: Teen

MSRP: $39.99

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I’m not the biggest JRPG fan as I don’t like grinding or the typical tropes that go along with them. They usually are extremely bloated with dozens of hours added just in battles alone and this is why I only play them if they have a particular something that stands out albeit the story or the gameplay. Trials of Mana stands out as neither of those, but it does everything in a neatly tightened JRPG package that cuts out the fat and streamlines the genre for the modern world.

The story is nothing to write home about but isn’t bad either. You can choose between 6 different characters with three being in your party. Each character has class specializations and this is important when your class up and balances out your party. It’s recommended to have a fighter, magician, and middle ground class. I chose Reisz, Duncan, and Angela for my playthrough and it worked out perfectly. The overall story revolves around a typical JRPG plot of saving the world from an evil entity. The Goddess of Mana is being targeted by a particular evil force and wants to be the only existing god. There are other evil kingdoms racing to get the Sword of Mana which is said to hold untold powers. Yeah, it’s trite, barely interesting, and towards the end of the game, there aren’t many cut scenes left. The English voice acting, in particular, is incredibly bad so please do yourself a favor and enable the Japanese voice-overs. The characters themselves are very likable with great designs and they stand out and are somewhat memorable, they have typical JRPG hero personalities, but I grew to like them nonetheless.

Let’s dive right into battles. Trials of Mana is a real-time battle system played out in closed-off areas. Once you are in sight of a creature the game surrounds you in a barrier that you can escape from by running toward or just fight it out. There are heavy and light attacks as well as the same while in the air. Once you progress far enough and depending on your class, you will unlock Moves which are class-specific that consume MP and then there are Class Strikes. These strikes use up Stamina that is acquired as crystals that enemies drop when attacked. These strikes are powerful and you get a new one with each new class. These must be strategically timed with boss battles as they are essential to winning and doing massive damage. Battles overall are intense and fun with the ability to adjust your AI mates in the Strategy section of the menu. Here you can adjust how often they use their strikes, moves, items, and how to focus on enemies. This is really important to adjust for later boss fights.

While combat is fluid, looks good, and is probably what you will be doing 85% of the time in the game it is essentially very simple and may seem dull to people who are used to more Western RPGs with more action. While it works in the context of this game, it beats the hell out of random encounters. Leveling up also occurs rather quickly and the use of cookies allows you to gain additional XP, but these are rare. There really isn’t much in terms of exploring or hidden items as most chests contain standard items, seeds, and rarely armor or weapons. Seeds are actually an essential part of the game and are required in order to get Class 3. These seeds are grown at pots in inns or near certain Mana (save) statues. These range from item seeds to illusive question mark seeds that drop talismans needed to get to class 3 to rainbow seeds which have high-end armor and weapons. You can level up the box by planting more seeds thus dropping rarer items.

Of course, you can buy most things in towns and the single night market as well as reset your skill points there. Leveling up is a big deal in this game and you can allocate points towards various stats like strength, stamina, intelligence, and so on. I highly recommend leveling up where you want your character to be strong in and save your points once you reach the cap for that class level. Once you class up you will have tons of points to advance your character even further without wasting them on stats you don’t need to focus in. Getting a higher class also grants a new costume and access to higher-level weapons and armor in addition to more ability slots. Leveling up stats grants abilities that add passive stats such as healing after battles, additional damage when entering them, sacrificing HP for additional damage, etc. The great thing is that these abilities are shared amongst all characters once unlocked to really customize your style.

Exploring in Trials of Mana is fine, but not wholly necessary. Exploring only gets you basic items, and the very rare weapon or armor piece and the question mark seeds in Chapter 5 needed to get to class 3. Grinding is also very minimal in this game as you will mostly stay just behind or ahead of the current area demand. I recommend staying above two levels of the next boss and it will make life much easier and you will chew through less healing items. The levels are very linear as well and it’s hard to get lost as a golden star will always lead you to your objective as well as on the map. I have to commend Square for implementing this as one of my biggest issues with JRPGs outside of random battles is never knowing where the hell to go. This allows you to just enjoy the game and not worry about whether or not you’ve been going the wrong way for the last hour.

With all of that said, Trials of Mana also looks fantastic. While not groundbreaking, it has bright visuals, detailed textures, high-poly models, and great animations. The effects are slick and the bosses are very well designed. While I wasn’t the biggest fan of regular enemies as they are just standard JRPG fodder like rabbits, slime, knights, dragons, and various fantasy creatures, they do require strategy as each has different attacks and debuff effects. So with that said, Trials of Mana won’t change the minds of those who don’t like JRPGs, but those who love them will truly enjoy this. I finished the game and even continued to the additional optional chapter that can grant New Game+ if completed. This is one of two Super Bosses and requires a level 75 party. This final dungeon is about an hour long and combines a piece of every area you have visited in the game for one mega-dungeon. It’s a challenge and fun, and I recommend completing it. Trials of Mana is one of my favorite JRPGs in the last decade and I can easily recommend it to most people.

Final Fantasy VIII Remastered

Posted by BinaryMessiah on 05/08/2020
Posted in: Microsoft Consoles, Nintendo Consoles, PC Reviews, PlayStation 4, Sony Consoles, Switch, Xbox One. Tagged: , , , , . Leave a comment

Publisher: Square Enix

Developer: DotEmu

Release Date: 09/03/2019

MSRP: $19.99

Rating: Teen

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Oh boy, this review has been 22 years in the making. I have been trying to finish this game since I was 8 years old, but just could not do it. I will admit, I’m not the best JRPG player as I don’t have the patience to do insane amounts of grinding and play into the earlier Final Fantasy game’s crazy summon hunting. FF8 eluded me for so many years because of one thing: The Junction system. I absolutely love the characters, art, and story in this game, but the Junction system nearly ruins it for me. And yes, I had to play with cheats/boosters activated and even then, I almost couldn’t finish the game.

I did, however, play the game normally. I collected spells, tried to get Guardians when I could, leveled up a good amount, and finally got past disc 2! The issue lies in the overall complicated nature of FF8‘s systems. You no longer just buy weapons and armor and change them out when you get to the next town. Instead, you collect spell cards that are finite and they can be traded amongst other members. In theory, this sounds fine, but it’s hard to strategize a specific player role when everyone can use magic. Some argue that you can give certain spells to certain characters and break it all up the way you want, but this is flawed because if you don’t collect cards found throughout the world, or stolen from enemies, you don’t get to use any magic.

Weapons are only upgraded this time by using parts found on monsters, but a lot of these parts are hard to find and to upgrade to a new weapon, you must find a magazine to unlock the weapon. This just keeps piling up the frustration as it hinders progress. Characters also have Overdrives which are powerful unique moves, but some characters, like Rinoa and Quistis, can only acquirea new ones but using certain items or finding magazines. FF8 heavily relies on exploration and patience, this is not a game you can just blow through the story mode like previous games. The Junction system also functions as a way to equip Guardians which are bosses found hidden throughout the world. I only found about half, as the other half requires exploring the overworld map and finding their hidden locations. Accompany this with insanely frequent random battles and you will spend 2/3 of your time in the game just battling.

If this doesn’t sound complicated enough there are hidden features not explained in the game such as being able to “Card Mod” only using Quezacotl’s ability. This allows players to turn found enemy cards into items that are then used to turn into weapons, but this is a very obscure out of the way thing for such an important gameplay element. FF8 is riddled with things like this and it made learning the Junction system like learning math. It was boring, not fun, and incredibly frustrating, and just imagine as a kid there’s no way I would have understood any of it. Even after I finished the game I still felt I hadn’t quite grasped it all and I missed something.

Outside of the awful (or good) Junction system the rest of the game is standard Final Fantasy fair. Turn-based battles allow you to do various attacks, use items, and there’s an option for real-time battle or waiting. Players also need to make sure they equip actual functions for each player otherwise you can only attack. GF use, items, and magic are all optional attacks that you can choose, but you can only have 4 menus. Another irritating thing about the Junction system. You must sacrifice GF use if you want to use items and magic for example. FF8 is also standard with an awful overworld map. This map has no camera controls and is horribly designed. It’s a 3D map, but eventually, you get into a ship, then a car, then a giant flying ship to traverse faster. This is when you can explore more and find Guardians.

Let’s finally talk about the story and characters. FF8 has some of the most memorable characters with Seifer, Squall, Rinoa, Quistis, and Selphie just to name a few. They are all well written and designed characters and I cared for them greatly throughout the entire game. There are long written dialog bubbles that go on for dozens of minutes some times, but the mix of pre-rendered cut scenes on with real-time models on top is a trip even to this day. There are some imaginative scenes in this game, and it’s a shame it’s hindered by the disc space of the PS1. The story in itself is one of the most controversial in the series with no real ending being explained and it is open to fan theory. I won’t get into those, but after reading some theories online they made a lot of sense and it’s a good story to talk about long after finishing.

But, also like Final Fantasy games, it’s heavily unbalanced, with the final boss having four whole phases and requiring you to be an insane level towards the end that normal story progression won’t get you towards Even with boosters activated I still got stuck and was required to level up normally and the game could easily take 50+ hours just to finish properly. I can’t bash the game for this as there’s a huge audience for it, but it’s not for me. It’s one of the few things I won’t knock this game for is how much of a hardcore RPG it truly is. This is a game you must play exclusively for days or weeks and just grind out, and some people love this. The story is thankfully rewarding enough, and after finishing a tough boss the satisfaction is exemplary.

Overall, FF8 is a strange game indeed. With an awful or good, Junction system that changes everything you know about the game, but one thing can’t be denied, it’s too complicated. The game looks fantastic with amazing pre-rendered scenes, great enemy design, a superb music score, and classic gameplay. For me, there’s just too much that keeps it from being fun outside of the story. I often gave up on this game for years, and even with boosters, the game is still a grind fest. However, if you like those things, then you will love this game. When it comes to the remastered part of the game it disappoints. The game suffers the same issues as the Final Fantasy IX Remaster with updated character models on upscaled original backgrounds. It’s a lazy remaster with only new music and some boosts added. There’s not widescreen support or anything else.

Max Payne

Posted by BinaryMessiah on 04/18/2020
Posted in: Android, GameBoy Advance, iOS, Mac, Microsoft Consoles, Mobile Reviews, Nintendo Consoles, PC Reviews, PlayStation 2, Sony Consoles, Xbox. Tagged: , , , , , . Leave a comment

Publisher: Gathering of Developers

Developer: Remedy Entertainment

Release Date: 07/23/2001 (PC), 12/06/2001 (PS2), 12/12/2001 (Xbox), 07/16/2002 (Mac), 12/16/2003 (GBA), 04/12/2012 (iOS), 06/14/2012 (AND)

Rating: Mature

MSRP: $49.99

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Bullet time. While The Matrix made it popular amid pop culture, Max Payne started it all in the video game realm. You play as a cop, Max Payne, who is framed for murder of another NYPD cop. Your wife and newborn child are also murdered and you are trying to get revenge on the people who did it. The story isn’t anything amazing, but Max Payne’s voice actor, and the well done writing, keep you hooked long enough to find out what happened behind the scenes. The game is told in a comic noir graphic-novel style and it suits the game well. The cut scenes are imaginative and different, and don’t look cheap or like the developers were trying to take short cuts.

Outside of the story, the gameplay is all about shooting because that’s literally it. Max runs around with various weapons such as Barrettas, Ingrams, shotguns, grenade launchers, Molotov cocktails, grenades, and assault rifles to mow down the Mafia and corrupt cops. Bullet time is the main gameplay element here and when activated Max does a jump dodge in the direction you move and you can see him dodging bullets in real-time. This is actually a mechanic you must master as most situations require you to use it to stay alive. You can’t stand in one spot or you will be dead in a few hits and there’s no cover system. I had to quicksave every 2-3 minutes as well because the game is so difficult. It’s cool to jump dodge around a corner, but once Max lands there’s a delay in him getting up and you are completely vulnerable to gunfire. I had to make sure I jump dodged behind cover or across a hallway so I wouldn’t die the second the bullet time finished. You can also activate bullet time and just run your meter down so you can run and gun with it too.

There are very few scenarios in which you do more than press buttons. One scene has Max driving a crate crane around an area, but it’s nothing special, and there are some interactive objects that trigger comic cut scenes, but 95% of the game is just shooting. The weapons themselves feel good and I felt I had to switch up weapons depending on the situation to make my life easier. The locales are varied, but they are a bit too stale and boring for my taste. They don’t quite capture the noir feeling of the comic cut scenes, but there is one level early on called Ragna Rock that was a gothic cult house that reminded me a lot of Vampire: The Masquerade – Bloodlines, so that’s a good thing. The game really does feel like a first-generation PS2/Xbox game, but it’s very polished. The game flows nicely, but the difficulty is all over the place, you will die dozens and dozens of times in this game.

The visuals are clean and look nice even 20 years later. I installed a texture upgrade patch and some other things to make the game upscale to 4K nicely and play on modern hardware, and it looks pretty good. Even in the original, the facial textures are nice and very realistic, and the over aesthetic of the game stands out over most shooters of its time. The voice acting is great, and I finished the game in about 7 hours. After you finish it there’s literally nothing else to do as the multiplayer mode was scrapped. It’s a fantastic single-player game that holds up well even today despite its insane difficulty and unbalanced gameplay. The story isn’t anything special, but Max is a great character to dive into and it makes for a fun evening.