I love the Warhammer series a lot. My first introduction was a small figure I was given as a gift in junior high back in 2003. I had a friend who was really into the series, painted the figures, and was all in. My parents couldn’t afford the figures, so I turned to video games. My first experience was Dawn of War. One of the best RTS games ever made. Then…that was it. I then played Dawn of War II and then Space Marine, but was still fascinated by the lore, art style, and designs. This comes across well in Hired Gun. The game is oozing with style and tons of steampunk design. Weird mutilated bodies everywhere that are full of strange tech, gross underground sewers, and tons of violence and gore. The game looks amazing, but that’s probably the best thing about the game.
It was advertised as Doom set in the Warhammer universe, but it is not. When you start the game, you pick your avatar and difficulty, and you are off with just a revolver. Right away, you take in the amazing art and visual design the series is known for. Then, within a few minutes, you can start shooting and moving, and that’s when everything falls apart. At first, the gunplay seemed fun. It’s fast-paced and punchy, and the guns feel pretty good to shoot. Then, at the end of the first level, you are already tired of it because there’s nothing else to do. Every single level is a shoot of everything that moves through poorly designed levels. Now the art is nice, but the actual design and layout of the levels are terrible. Tons of endless corridors to nowhere, hidden treasure chests that are not interesting enough to find, credits, and places to jump around and wall run on. Yes, it’s fast-paced and feels pretty good, but it’s so boring.
Another issue I have is that enemies spawn at random places, and there’s no pattern. You run around an arena, shooting everything in sight, and when you go to pick something up, an enemy drops another, shooting you from behind, even though everyone came out of the same door on the opposite side of the room. It can lead to cheap deaths as you get a shield to protect your health, and you can buy stims to revive you if you die. There are grenades that can clear crowds, but overall, the layout of the levels just doesn’t help. I can jump around everywhere, but what’s the point if everyone spawns randomly?
Some levels mix up arenas where you are locked in a room and heavy metal music plays until everything is dead, and then there are just endless linear hallways where you mow down more enemies. Enemies splatter and gib in Unreal Tournament-style glory, but they are not interesting to look at or fight. Everything dies in a few hits, and each weapon seemed to do the same damage except for when it came to distance. The game shoehorns an RPG system into the game that feels completely pointless and useless. There are charms, armor, tokens, and various other bits that can be collected, but they can’t be equipped until your next mission. So, why bother with an RPG system if it can only be accessed between missions? Once you finish a mission, you’re rated (who cares?). You can then complete side missions for greater challenges and better loot, but no thank you. The main missions are drab enough as they are.
Once you complete a mission, you can choose what loot to keep, and the rest is sold. Once you arrive at the main hub, there are various vendors that allow you to buy and sell weapons, as well as bionics for you and your dog. Yes, you get a dog companion that attacks you, but that’s it. The bionics are bought with credits, and you can acquire various powers that kind of help a bit, but mostly you’ll just shoot everything. This is the main gameplay loop. Shoot everything through levels with nothing in between, fight an occasional boss, and build up your arsenal and bionics. The gameplay itself isn’t just boring; so is the story. Now, I’m no Warhammer guru, but with previous games, you kind of get some lore thrown at your real quick to understand your surroundings, but here you just fight this gang and that gang and work for this person. There’s no context. The voice acting is okay, but there’s no reason to care.
Overall, Necromunda had potential, but it was squandered with a forced loot system, a boring story and gameplay loop, and terribly designed levels. I love the visuals and the lore behind the series, but this game just doesn’t do it justice. If it were a straight-up linear corridor shooter with more thought put into the weapons, enemies, and level design, it would have been better. Also, the whole looter shooter thing needs to stop at some point. No one can get it right, and it’s widely overused. Sometimes less is more, and Necromunda proves that.
I have tried to play this game since it was released numerous times and just couldn’t get into it. After putting 110 hours into the Mass Effect Legendary Edition recently, I decided it was finally time to blow through it. After 40 hours I can say that the game is more enjoyable than I first realized, but also has more flaws than I imagined. Most of the major visual bugs are patched out at this point, but what remains is the core game that can never change or improve without an actual sequel.
I love the premise of Andromeda. The game takes place 600 years after the events of the original trilogy and that’s because a private company sent every species known to Council space out on several arks to the Andromeda galaxy and establish lives on then discovered “golden worlds”. Everyone stays in cryostasis while an illegal AI named SAM watched over all the arks. You play as Ryder who wakes up to the human ark being hit by something called the Scourge. This is a space phenomenon that honestly is never really explored or explained in the game. Strange tendrils reach out and destroy worlds and ships. Your brother also ends up in a coma as his pod was damaged during the incident.
This is where you learn the basic controls and how to interact with the world. The core ideas and gameplay loop of Mass Effect are intact. You can read datapads, and talk to people for extra information and story, but in the end, your conversation choices make zero difference in the story. Whoops. I’ll get to that later. Once you finally try to explore the first golden world you realize it’s not. The Scourge changed it somehow, and all the golden worlds are no longer habitable. This sense of fear is something I wish the game touched on more. Being lost and stranded in space with no way back home is a really great idea, but they never play upon it. Once you land on the first planet, you learn how to do everything else. Controlling Ryder is a breeze, and the character is nimble, has a jetpack to jump around on ledges, can infinitely sprint, and the shooting is more akin to standard third-person cover shooter gameplay, but barely.
Let’s go over the combat. Sadly, Mass Effect 3 had more satisfying combat than Andromeda. It plays well, but it’s very generic and just gets the job done. Once again, like in Mass Effect 1, there’s too much loot. Weapon mods, augmentations, armor, armor mods, minerals, random collectibles, etc. This means that while each weapon looks unique, it doesn’t feel too unique. A shotgun feels like a shotgun, and an assault rifle feels like an assault rifle. They just picked a center lane for each weapon type and stuck with that. Games like Gears of War have weapons that have their own unique personalities. They are almost characters among themselves. At least in Mass Effect 3, the weapons had punch and weight to them, while these do not. The combat is mostly boring, and the same enemies repeat forever. You have the kett, Remnant, and the usual raiders. The kett are the main enemy as you are trying to stop the archon from using this Remnant tech to destroy worlds. More on that later. Then the Remnant is just a generic, boring robot. Each faction has different enemy types, but the game, in general, is pretty easy, and I rarely ever died, even during boss fights.
The biggest change in Andromeda is being able to explore actual planets. There are quite a few here, and they are actually really fun to explore. There are many side missions that involve your crew, and there are tasks, but honestly, just exploring and doing the main missions was the most fun I had in the game. The open maps feel like major filler, and while the worlds look beautiful, the new vehicle you get is much better to control, and it can get upgrades, but no combat; it’s 90% filler. There are tasks you can complete, but most don’t have objective markers, so you either have to wander around aimlessly looking for them or use a walkthrough. In the end, most missions don’t give you any rewards at all outside of XP. Unless you are a completionist, there are zero reasons to stray outside of the main missions. This is really a bummer, and most of Andromeda is just filler with no real rewards or pay-off.
There are also way too many things to keep track of. AVP missions, R&D, buying and selling, modding, unlocking cryopods teams, and bonuses. It’s just too much. AVP missions are pointless, as you just send teams out to complete missions for you. There’s a co-op multiplayer section tied in here, but why bother? The rewards are pointless. Andromeda tries to create an economy but ultimately fails, as it doesn’t need one. The game is too easy, so most of the weapons are useless. Once you get a level five weapon, you’re good. I had one of each weapon, and the mods are nice; they actually do help, but this meant I never needed to buy anything after the second world was finished. I mostly collected so many minerals on missions that I just R&Ded the weapon I wanted, and that was it. I needed research points to research the weapon, and then I could develop it. I also found the most rare weapons as loot. By the time I got to the third and fourth worlds, I stopped caring about all that and ignored it. I just continued to level up. Another thing I don’t like is that elemental ammo is now expendable, and you need to acquire it as it’s limited. It was hard to keep track of when I was using it, as there’s no sound or icon flashing that shows me when it’s gone. The icon just disappears.
So the main reason you explore these worlds is to establish a base and to clear each world’s hazardous conditions by activating three Remnant monoliths and then the vault. The monoliths sometimes require you to solve a sudoku-type puzzle using glyphs. Yep, I sighed at that too. At least it’s a real puzzle, but why do we need these? They just slowed the game down, and some are insanely difficult. Once you get into the vault, you activate consoles to get a path to the purifier console, then run out as the gas chases you. You do this about six or seven times, and it gets more boring as you complete each one. One thing I liked was seeing each race and how they fit into the Andromeda Initiative. It really feels like a reboot of the series while keeping the core of it intact—sometimes too intact.
That leads me to the main reason why most people felt so engrossed in the original trilogy: the choices. The dialogue is now split up into five emotions, and the binary moral system is gone, but each choice doesn’t really do anything. The only thing you can really control is who you form a relationship with. There is so much dialog and so many choices, but they mean nothing in the end, and that is one of the major problems with the game itself. I enjoyed the story itself, and the personalities and politics of the races remained intact and were in full force here, but my character was probably better off just not having any dialog choices. That would have been a bold new move, rather than keeping a system that is hollow in the end. And essentially, that’s what Andromeda is. A bunch of systems from the trilogy are either just there because they’re familiar and don’t do anything new, or they’re just there for no particular reason. This leads me to the Galaxy Map. BioWare just can’t get it right, even four games later. Sure, you are actually on a map this time and can zoom across the system, and it’s pretty cool for the first few times, then you want to skip it after that. It’s slow and uninteresting after a while, and there’s no reason to explore most planets outside of reading their descriptions. Sometimes you can launch a probe when Suvi announces an anomaly, but that’s it. So while the map is visually more impressive, it’s still pointless.
The visuals are outstanding, as the game uses EA’s Frostbite engine, but the game is horribly optimized. Frame drops happened mostly in cut scenes and in random areas. Sometimes dropping into single digits. It didn’t matter if it was on an overclocked RTX 2080 or an overclocked 1660ti. Both exceed the minimum requirements exponentially. The game still looks good with detailed textures and models, and I can’t explain just how beautiful the worlds are. I really felt like a space pioneer when exploring them. Overall, Andromeda is only worth a play-through for hardcore fans. If you just pick up this game, you’re going to get bored and not feel interested. It’s clearly geared towards fans of the series, as a lot of events carry over from previous games, and the knowledge of the races and events that took place reflects a lot in this game.
Mass Effect was a big part of my teen years growing up. It was a massive sci-fi odyssey that let you explore planets, and BioWare created a giant world with lore that could rival Star Wars. Alien species with in-depth military and political backgrounds, and the amount of detail spread across the whole game that fully incorporated the lore and detail. Being able to talk to numerous species such as the Elcor, Hanar, Volus, or Asari about their individual lives or more galactic issues. It was fascinating and ground-breaking for the time. The facial animations, the graphics, and the sheer scope of the game were unheard of. Fast forward over a decade later and it’s still impressive, but video games have evolved and so have action RPGs. The flaws are big red scores on the game, but it’s still fun to play through.
The game starts out like any other BioWare or Western RPG. You create a character, and pick a class, and a background. Mass Effect’s character customization was never grand, and LE’s improved version helps a bit, but it’s still not very detailed. You can choose a pre-made character, but I chose to create from scratch. I picked a class that balances biotics and weapons and a female. Biotics are powers you can use in the game (and describes how humans become biotics in fascinating detail) and you’re off. You start out right off the bat learning that dialogue is a huge part of the game here. In fact, every choice you make shapes the ending and the outcomes of missions that carry across all three games. You can be Paragon or Renegade based on how you respond. There are usually three different levels. Nice, mean, and down the middle. One major complaint players had was the Renegade path was Shepard just being a complete asshole and nothing in between. It also doesn’t serve you to be neutral through the whole game either. This path can unlock dialogue options for either side that can change the tide of the entire game including making missions easier or harder.
Once you learn the ropes and get into your first mission you will learn how to play with the combat and shooting in the game. Mass Effect never had amazing combat, but the shooting here is slightly improved and is more enjoyable than it was before. You can move into cover, peek around ledges, sprint, and throw grenades. You can carry four weapons. Assault rifles, pistols, shotguns, and sniper rifles. Throughout the game, you can acquire crap tons of loot that allow you to mod the weapons in various ways as well as acquire new weapons and armor. This is essential to staying alive and you also need to manage your crew’s armament as well. Over the course of the game, you will meet various characters such as Wrex the Krogan, Liara the Asari, and Garrus the Turian. These characters are quite memorable and some even offer missions. I didn’t particularly care for Kaiden or Ashley as they were just boring humans honestly, and there is nothing exciting about their personalities and you only learn about their past through optional dialogue when visiting them on the Normandy (your ship) after each main story mission.
One of the major hub areas of the game is the Citadel. A giant spacecraft that trillions of aliens live on. There are various parts you can visit and can easily get around through a fast travel system. There are about a dozen missions to complete on the Citadel as well as vendors to visit. Some missions are given to you here to complete in space, but overall the Citadel isn’t a very enjoyable place to explore. Most of Mass Effect suffers from slow exploration, linear corridors, and various other problems. It’s a flaw of the times as the Xbox 360 wasn’t powerful enough for the vast open worlds we have now and there were also time constraints for development. Honestly, exploring in Mass Effect just isn’t very enjoyable. I only really liked the main story missions. Side missions are a bore fest with nothing truly gained outside of cash and loot and there’s too much of it. The game is so short that you will end up with millions of credits with nothing to spend it on. About halfway through I acquired the best gear just by completing missions and opening crates.
It’s a very unbalanced game difficulty-wise. I found the game very easy early on as acquiring loot so fast and quickly means you can kill everything in a couple of shots. This also led to me never really venturing outside of my pistol as my class specialized in that weapon. I nearly maxed out my level by the end of the game and there are so many different things to put points into that it feels unnecessary due to the short length of the game. All these biotic powers, weapons, mods, and classes for a game that can be finished in less than 20 hours? I wound up finishing everything in the game in about 33 hours. While this sounds strange that there would be so much RPG stuff in a short RPG, the game mostly just runs itself. I micromanaged my inventory a lot, but the game is so easy that I never worried about trying to find the best stuff. It basically falls into your lap.
That’s also not the weirdest thing about the game. The MAKO driving sections are a notorious and infamous chore and bore-fest. The vehicle has a mounted turret and shoots grenades, but there’s not much reason to use it outside of main missions. The vehicle is floaty and the worlds you drive on are insanely difficult to navigate. The terrain feels like it was made by a child who was given a terrain deformation editor and they went nuts. Nothing makes sense, there’s no logic. Just cheer cliffs and mountains on every single planet that are a pain to drive on. You can go around and discover hidden anomalies and metal deposits (these are for credits), but it’s such a chore and it’s boring. The first few planets are interesting, and it’s fun to feel like you’re exploring planets in space, but they’re completely empty. There are no other colonies or cities to visit outside of the Citadel itself. Just hours of empty driving and getting out to do a stupid puzzle to complete a few fetch quests.
Most side missions are given once you enter a new cluster on the Galaxy Map. You are looking at a solar system and can click on planets and you get a zoomed-in view of them. These are actually quite awesome and they are all different. You get info sheets on what type of planet it is and that part is really more fun to explore than actually landing on planets. Most clusters have one planet you can land on, and once you enter a cluster that has a side mission you will get an incoming message. Then you land, explore, find anomalies to complete the fetch quests, find deposits for credits, then you go into the same three generic interior buildings that are rotated to shoot something dead to complete the side mission. Maybe there’s one that involves dialogue to complete the mission. These interior levels are boring with just a few hallways and open rooms.
With that said, what’s the point of completing side missions then? Maybe completionists will want to for achievements, but it’s not needed to get the credits to buy weapons and armor. You end up getting all that stuff organically as you play anyways. The most enjoyable moments are the dialogue sections though and combat is fun for the most part. It’s just clunky and most everything feels underutilized. However the story is fantastic and the majority of characters are memorable, and that’s Mass Effect’s strongest point. The world-building, the lore, the characters, the story, the writing, and everything involved in that.
The game looks good and the LE upgrade is definitely several steps up visually from the Xbox 360 original. There’s better lighting, higher resolution textures, more detailed models, and everything in between. The music in the series is also fantastic, and the PC graphics options are decent. There’s ultrawide screen support which is a huge plus in my book as well. Overall, Mass Effect 1 Legendary Edition improves mostly on the visuals and that’s it. You can’t fix the core gameplay too much. They tried to add sprinting, but it’s only for three seconds, so why bother? You can skip elevator rides, but only some of them, and interesting dialog takes place here, so again, what’s the point there? I also had physics issues, stuttering, slow down, and the game would randomly crash sometimes. Hopefully, this gets patched at some point.
If you can look past the awful MAKO missions, the clunky combat, overly easy difficulty, and the unbalanced loot system, the game is worth playing. The main story is short, and the side missions aren’t worth investing time into unless you want to complete everything. The story, lore, characters, and dialogue are what make the game so great, but it really hasn’t aged well over the years and feels like a time capsule of two generations ago.
Mass Effect 2
Mass Effect had a lot of issues when it was released and many things needed to be balanced, tweaked, and changed, and BioWare listened with Mass Effect 2. You can immediately see many improvements, especially right after playing the first game, but some issues were fixed in the wrong way or weren’t quite realized enough. As a sequel, the game is bigger, more in-depth, more fun, and definitely a much tighter experience overall.
One of the first things you will notice right away is the game plays more like a traditional cover-based third-person shooter. The shooting is tighter, the weapons are more satisfying to shoot, and the cover system is a lot better. One of the first major changes in the implementation of ammo was in form of thermal clips. I know in Mass Effect 1 it was said that the weapons shave off pieces of metal and each gun has a small mass effect drive, but for some reason, thermal clips are now needed. You can pick thermal clips off of dead enemies or around the levels, but you also now have more limited use of weapons in your class. Each class can use specific weapon types. The game also ditched the traditional loot system in favor of set upgrades that you acquire throughout the game for everything. Each weapon has 5 levels of damage you can upgrade to, there are biotic upgrades, but your biotic powers are now set in stone based on class. Once you pick your class your weapons, biotic powers, and even ammo type you can use are all permanent. Some people didn’t like this and felt it was the opposite direction of endless, mostly useless, loot.
I actually felt this was an improvement as BioWare went with a more traditional cover shooter system so they took out most of the RPG elements outside of adding stat points to one of your four or more powers based on your level. I chose to use any weapon type, but I couldn’t use sub-machine guns. I also had access to all ammo types, of which there are four. This actually came in handy when dealing with certain enemy types, as there are a wider variety of them. I used incendiary ammo for organic enemies, and for Geth and mechs, I used a disruptor ammo type. I felt the cryo was a bit useless, but I also had access to my two teammates’ powers, and I could command them to use them at will. You can acquire new weapons by discovering them around areas, as mission rewards, or sometimes at shops. There aren’t many weapons in the game, so just be aware of that. At least they feel more unique instead of just a statistic change in a massive pile of crap. Shepard also moves faster in this game, and the entire pace of the main missions and side missions is even faster and more streamlined.
Another huge change is the level design. In the first game, the only unique areas were during the story missions and side missions were a boring hodgepodge of empty hallways that led to empty square rooms. At least in this game, there are more worlds to land on, about three times as many, and there are about twice as many teammates to acquire so that means more unique areas as well. Each teammate is a mission in itself to acquire them and then they each have their own mission to gain their loyalty and this is used to advance your romantic relationship with them. There just aren’t more worlds, but they feel more lived in. Sure, they’re still small and linear and cramped, but the Citadel is what it was in ME1. You’re now just on three levels of the wards and the shops. There are aliens everywhere; the backdrops look gorgeous; there are more ambient sound effects; and it feels great—for the first visit. The game is still very static, and I wish alien positions would switch up or more random events would happen. Nothing ever changes, and every NPC is glued to that spot forever. It still feels good to be in these areas, and the extra detail everywhere is really noticeable.
Side missions are now acquired during main missions or other side missions. You might find a datapad that has a mission, or you will find messages on your personal terminal. The navigation of the galaxy map has greatly improved as well. All missions are now shown on the galaxy map, and there are bubbles on each nebula or cluster with the name of the mission. You can now directly control the ship on the map, but it’s honestly pointless and feels half-baked. You have fuel and probes now, and fuel is used to get across solar systems in a galaxy. You still need to use a mass relay to jump around the major clusters in the galaxy. The fuel feels stupid, as that’s all it’s used for, and probes are the answer to taking away the MAKO and finding resources.
Yes, the MAKO is gone! Hallelujah!, but now you are stuck with another mundane chore: scanning planets for resources. There are five resources needed for upgrades, with Element Zero being the rarest. Most of your Eezo is acquired on missions in containers rather than planets. What you have to do is hold down a button to scan the planet, and a bar graph will spike high when there’s a strong amount of an element in that spot. It’s incredibly tedious and feels like a chore, and there’s zero fun in it. Sure, you can acquire a better scanner later, as each crew member you recruit has a major upgrade to offer the Normandy, but it doesn’t make things better. What’s more annoying are the limited probes. Why? I can only get more at a fuel depot, and those are only near mass relays. So, if I’m in a system that has no depot, I have to travel back on the map and fuel up. Just give me unlimited fuel and probes! This limit makes no sense. I also don’t like how there’s no zoomed-in view of each planet like there was in the first game. It’s just a small ball on a screen. At least each planet has a unique description.
While the galaxy map is slightly improved, it introduces new issues, and the dialogue system hasn’t changed a bit. Shepard is a little less of an ass in the Renegade options, but the binary moral system is really crippling as the game tries so hard to be extreme on either end. There are now some quick-time events during certain scenes that allow you to perform a Paragon or Renegade action that can boost that meter, but at least the smaller choices in conversations now add a little bit too. The top, middle, and bottom responses are good to evil in their respective order, and you will get maybe two points for responding nicely even in parts of the conversations that don’t matter. Sometimes you can win an entire dialog-driven scene by having your morals polarized more on one side, but I will give BioWare credit for its continuity. Every action you take in the first game reflects whether it’s a crew member who died on a small side mission and you just get a message about it later. I noticed every action I took in the first game unfold and take hold here, and these actions also had dire consequences.
The main story is still really short, with only maybe half a dozen missions or so. The last three crew members are optional, and there are a couple of crew members attached to DLC. Sadly, these crew members don’t have any dialog trees, and their characters aren’t expanded upon enough. With that said, the new characters are really likable, memorable, and well-written. The expanded lore and world feel grand despite the game’s actual limited scope. I felt I had more control over the dialog, but the binary moral system is constricting in itself and is one of the main issues I have with the whole series. The game is about as long as the first, but it feels more satisfying as you aren’t spending 10+ hours driving around in a boring MAKO. I finished almost everything in about 35 hours, and it feels solid and thorough. Less filler was scrapped for more actual content.
The Legendary Edition upgrades are mostly visual, and they look great. The game is several steps up from the first game visually, and the voice acting has improved a bit. There are more scripted events, cut-scenes, and animations. But the same 3-second sprint still exists, which is annoying. Overall, Mass Effect 2 is so much better than the first in every way. The story feels grander, and the Collector’s are a new formidable enemy. More questions are answered that you actually care about, but also more questions are raised, and the game ends on a cliffhanger. I liked having to choose teammates to do certain things on the final suicide mission, as some might die, but you don’t know in what situation or how. Sometimes it’s not even the team member you actually pick who might die, but yes, team members die at the end, no matter what you do; it’s just a matter of who. I loved every minute I was in the game and couldn’t put it down.
Mass Effect 3
Here it is. The finale to one of the largest video game sci-fi epics ever created. It’s a huge undertaking, and when Mass Effect 3 first launched, it became infamous for its disappointing ending, which basically had to be rewritten and patched back in. This is it. The final push against the reapers and any other enemies that stand in Shepard’s way. The game focuses heavily on shooting and veers more away from a traditional RPG, but it also has a more focused mission structure with a lot of writing and dialog with choices that mean even more than they ever did before.
The main focus of the game is to now gain war assets towards defeating the reapers. This is your main goal and what all your main and side missions will give you in the end. You have a minimum meter and can’t engage in the final mission until you’ve met this bar. This is all based on a score, and it’s broken down based on what you have done. All main missions give you the largest chunk, as your next big goal is to basically figure out what to do with each species that we have learned about up until now. The krogan and turian conflict, the krogan genophage, the quarians, the rachni, and the geth. All questions are answered, and each main mission focuses on the main characters that either survived during Mass Effect 2 or just in general. Dealing with each and every major issue with all species is pretty incredible and cool. It feels right that everything led up to these huge decisions.
One of the first noticeable things is the improved combat. It’s more cinematic and feels closer to something akin to Gears of War. Infinite sprint, finally, with snappier cover mechanics and dodge and roll mechanics, and the guns feel more tweaked, unique, and satisfying to shoot. This feels like a proper third-person shooter now, with some RPG stats tacked on. However, despite the more unique weapons, which include a loadout bench, and the fact that each weapon can have two mods attached, the game is still too easy. I rarely ever died, and when you fully upgrade a weapon to level five, everything dies in a couple of bullets. I wound up finding preferences for how the gun feels over how much damage it can do. I feel there are way too many weapons for such an easy system, and every enemy feels like cannon fodder. While there are now only Reaper enemies and Cerberus enemies, they repeat often and get boring to shoot. I was never afraid of any situation, and I could even stand out in the open most of the time and just mow everything down without a scratch. While the combat feels great, it’s not challenging, and all the effort feels almost wasted.
Once again you command the Normandy ship and its layout has changed once again. It’s lost more streamlined and you no longer have to walk around talking to everyone hoping to unlock the next relationship stage. You only acquire five squadmates this time and most of you already have met before. I really felt no need to walk around the ship anymore except to invite people to my cabin to advance a relationship. You are informed when someone wants an invite so the whole relationship thing is better and streamlined. The game switched focus from a lot of planets to visit for side missions to just very unique and cinematic main missions with a few side missions here and there. There really aren’t many. There are a ton of main missions and it keeps the pace going. Most side missions for acquiring war assets come in the form of probing planets. Don’t worry, it’s not as tedious as ME2, but this time you just probe the flashing spot on the planet and get your asset. And very rarely do you ever land on a planet for something. This allows you to solely focus on main missions and map exploration, which is pretty much the same as in ME2.
The map removes the need for probes and just has fuel, which I still don’t really get. Now that the Reaper threat is imminent, you can scan the map as you fly around to find hidden assets. Sometimes this will alert the reapers, and they will swarm you on the map, and you usually have to escape and come back. So, once again, the map is improved in some ways and hindered in others. Never did BioWare really get this system down working flawlessly. The only place you can now visit off-world is the Citadel, and nowhere else. It’s also been streamlined as you visit different areas again. There’s a central elevator that takes you around to the five different levels, and it’s mostly used for war asset acquisition. You overhear people talking, and you then need to go to that system on the map and probe a planet for the thing they’re looking for. Sometimes it’s something you pick up on the main mission, but sadly, these can be easily missed, and there’s no way to go back if you do.
I found the binary moral system hindering once again, as it matters here more than ever. It still unlocks certain actions during scenes and dialog options during important scenes, but I don’t like being either really nice or really mean. There’s no in-between, and after going through three games like this, it’s really annoying and holds things back. It feels so black-and-white here that I almost predicted what outcome would happen if I chose a certain response. Other than that, the ending itself was satisfying, and you can replay the final scene and go through your options to see different outcomes. I didn’t like how I couldn’t get a detailed epilogue of what happened to each surviving crewmate and my romantic partners. You get concept art stills and Hackett giving a speech at the end (which doesn’t spoil anything), and it felt pretty generic in the end. Like a fizzle and hiss rather than a huge emotional finale.
The visuals in ME3 are better than ever, with insane details in the backgrounds and overall detail of the game. I found zero crashes and glitches with this game, as with ME1 and ME2. I did actually find one glitch where I fell through a floor, but I think it was my own fault that time. I did also find the DLC in ME3 kind of weird. There’s one DLC that’s all about comedy and stopping a clone of Shepard. You get an apartment that you can deck out? Why? It’s not like this is a game I want to spend time in a player’s home. I can buy furniture and stuff, which is not very exciting and completely useless. This DLC also has more mini-games in the form of an arcade and is basically an entertainment strip mall. While I enjoyed the funny one-liners and overall humor that the main game lacked, this added feature was super strange.
Overall, Mass Effect 3 improves by giving you more cinematic story missions, less filler, improved combat, and bigger choices than ever before. You really feel like all of your actions from the past have caught up with you, for better or worse. While BioWare still can’t seem to nail down combat and the galaxy map well enough, it works. Combat feels great, but it’s way too easy, and thus the time and effort spent on creating so many unique weapons and mods is a complete waste. Why bother when I can stand there and mow down every enemy with the same weapon through the whole game? There’s no incentive to mix up the weapons and experiment. With the ending being iffy and the DLC being kind of weird, I enjoyed my time with ME3 but also felt the flaws were glaringly obvious. It’s still a great ending to one of the greatest video game franchises ever made.
Legendary Edition Changes
The changes made for this release are nice, but a lot of effort felt only half-baked. You can now sprint anywhere in Mass Effect 1 and 2, but only for a few seconds, so why bother at all? The visuals are greatly improved in all three games, but a total remake would have been better. Why not take what Mass Effect 3 improves on and change these over to the other two games? Get rid of the MAKO levels entirely in ME1 and just drop me down into the side missions from the planet. Allow me to collect resources from others, as they’re only used to gain credits anyway. The Galaxy Map should have also been changed in ME1. While driving around the map wouldn’t benefit much, it would at least fit into the rest of the game. Some might say it doesn’t leave the game as original as possible, but these features are widely disliked by fans.
Combat could have also been changed from Mass Effect 3 in both games. While ME1 is more of a traditional RPG in terms of loot, why not scrap it entirely? There are a lot of design questions about this game, as it mostly feels like just a visual overhaul, and that’s it. At least the game runs well on modern systems and consoles, and that’s what mostly counts. This would also have given the developers an opportunity to redo the ending of the series completely. Take the fan feedback from the last decade and use that to rebuild a better ending.
Here it is. The finale to one of the largest video game sci-fi epics ever created. It’s a huge undertaking, and when Mass Effect 3 first launched, it became infamous for its disappointing ending, which basically had to be rewritten and patched back in. This is it. The final push against the reapers and any other enemies that stand in Shepard’s way. The game focuses heavily on shooting and veers more away from a traditional RPG, but it also has a more focused mission structure with a lot of writing and dialog with choices that mean even more than they ever did before.
The main focus of the game is to now gain war assets towards defeating the reapers. This is your main goal and what all your main and side missions will give you in the end. You have a minimum meter and can’t engage in the final mission until you’ve met this bar. This is all based on a score, and it’s broken down based on what you have done. All main missions give you the largest chunk, as your next big goal is to basically figure out what to do with each species that we have learned about up until now. The krogan and turian conflict, the krogan genophage, the quarians, the rachni, and the geth. All questions are answered, and each main mission focuses on the main characters that either survived during Mass Effect 2 or just in general. Dealing with each and every major issue with all species is pretty incredible and cool. It feels right that everything led up to these huge decisions.
One of the first noticeable things is the improved combat. It’s more cinematic and feels closer to something akin to Gears of War. Infinite sprint, finally, with snappier cover mechanics and dodge and roll mechanics, and the guns feel more tweaked, unique, and satisfying to shoot. This feels like a proper third-person shooter now, with some RPG stats tacked on. However, despite the more unique weapons, which include a loadout bench, and the fact that each weapon can have two mods attached, the game is still too easy. I rarely ever died, and when you fully upgrade a weapon to level five, everything dies in a couple of bullets. I wound up finding preferences for how the gun feels over how much damage it can do. I feel there are way too many weapons for such an easy system, and every enemy feels like cannon fodder. While there are now only Reaper enemies and Cerberus enemies, they repeat often and get boring to shoot. I was never afraid of any situation, and I could even stand out in the open most of the time and just mow everything down without a scratch. While the combat feels great, it’s not challenging, and all the effort feels almost wasted.
Once again, you command the Normandy ship, and its layout has changed once again. It’s become more streamlined, and you no longer have to walk around talking to everyone, hoping to unlock the next relationship stage. You only acquired five squadmates this time, and most of you have already met before. I really felt no need to walk around the ship anymore, except to invite people to my cabin to advance a relationship. You are informed when someone wants an invitation, so the whole relationship thing is better and more streamlined. The game switched focus from a lot of planets to visit for side missions to just very unique and cinematic main missions, with a few side missions here and there. There really aren’t many. There are a ton of main missions, and it keeps the pace going. Most side missions for acquiring war assets come in the form of probing planets. Don’t worry, it’s not as tedious as ME2, but this time you just probe the flashing spot on the planet and get your asset. And very rarely do you ever land on a planet for something. This allows you to solely focus on main missions and map exploration, which is pretty much the same as in ME2.
The map removes the need for probes and just has fuel, which I still don’t really get. Now that the Reaper threat is imminent, you can scan the map as you fly around to find hidden assets. Sometimes this will alert the reapers, and they will swarm you on the map, and you usually have to escape and come back. So, once again, the map is improved in some ways and hindered in others. Never did BioWare really get this system down working flawlessly. The only place you can now visit off-world is the Citadel, and nowhere else. It’s also been streamlined as you visit different areas again. There’s a central elevator that takes you around to the five different levels, and it’s mostly used for war asset acquisition. You overhear people talking, and you then need to go to that system on the map and probe a planet for the thing they’re looking for. Sometimes it’s something you pick up on the main mission, but sadly, these can be easily missed, and there’s no way to go back if you do.
I found the binary moral system hindering once again, as it matters here more than ever. It still unlocks certain actions during scenes and dialog options during important scenes, but I don’t like being either really nice or really mean. There’s no in-between, and after going through three games like this, it’s really annoying and holds things back. It feels so black-and-white here that I almost predicted what outcome would happen if I chose a certain response. Other than that, the ending itself was satisfying, and you can replay the final scene and go through your options to see different outcomes. I didn’t like how I couldn’t get a detailed epilogue of what happened to each surviving crewmate and my romantic partners. You get concept art stills and Hackett giving a speech at the end (which doesn’t spoil anything), and it felt pretty generic in the end. Like a fizzle and hiss rather than a huge emotional finale.
The visuals in ME3 are better than ever, with insane details in the backgrounds and overall detail of the game. I found zero crashes and glitches with this game, as with ME1 and ME2. I did actually find one glitch where I fell through a floor, but I think it was my own fault that time. I did also find the DLC in ME3 kind of weird. There’s one DLC that’s all about comedy and stopping a clone of Shepard. You get an apartment that you can deck out? Why? It’s not like this is a game I want to spend time in a player’s home. I can buy furniture and stuff, which is not very exciting and completely useless. This DLC also has more mini-games in the form of an arcade and is basically an entertainment strip mall. While I enjoyed the funny one-liners and overall humor that the main game lacked, this added feature was super strange.
Overall, Mass Effect 3 improves by giving you more cinematic story missions, less filler, improved combat, and bigger choices than ever before. You really feel like all of your actions from the past have caught up with you, for better or worse. While BioWare still can’t seem to nail down combat and the galaxy map well enough, it works. Combat feels great, but it’s way too easy, and thus the time and effort spent on creating so many unique weapons and mods is a complete waste. Why bother when I can stand there and mow down every enemy with the same weapon through the whole game? There’s no incentive to mix up the weapons and experiment. With the ending being iffy and the DLC being kind of weird, I enjoyed my time with ME3 but also felt the flaws were glaringly obvious. It’s still a great ending to one of the greatest video game franchises ever made.
Mass Effect had a lot of issues when it was released and many things needed to be balanced, tweaked, and changed, and BioWare listened with Mass Effect 2. You can immediately see many improvements, especially right after playing the first game, but some issues were fixed in the wrong way or weren’t quite realized enough. As a sequel, the game is bigger, more in-depth, more fun, and definitely a much tighter experience overall.
One of the first things you will notice right away is the game plays more like a traditional cover-based third-person shooter. The shooting is tighter, the weapons are more satisfying to shoot, and the cover system is a lot better. One of the first major changes in the implementation of ammo was in form of thermal clips. I know in Mass Effect 1, it was said that the weapons shave off pieces of metal and each gun has a small mass effect drive, but for some reason, thermal clips are now needed. You can pick thermal clips off of dead enemies or around the levels, but you also now have more limited use of weapons in your class. Each class can use specific weapon types. The game also ditched the traditional loot system in favor of set upgrades that you acquire throughout the game for everything. Each weapon has 5 levels of damage you can upgrade to; there are biotic upgrades, but your biotic powers are now set in stone based on class. Once you pick your class, your weapons, biotic powers, and even the ammo type you can use are all permanent. Some people didn’t like this and felt it was the opposite of endless, mostly useless loot.
I actually felt this was an improvement as BioWare went with a more traditional cover shooter system, so they took out most of the RPG elements outside of adding stat points to one of your four or more powers based on your level. I chose to use any weapon type, but I couldn’t use sub-machine guns. I also had access to all ammo types, of which there are four. This actually came in handy when dealing with certain enemy types, as there are a wider variety of them. I used incendiary ammo for organic enemies, and for Geth and mechs, I used a disruptor ammo type. I felt the cryo was a bit useless, but I also had access to my two teammates’ powers, and I could command them to use them at will. You can acquire new weapons by discovering them around areas, as mission rewards, or sometimes at shops. There aren’t many weapons in the game, so just be aware of that. At least they feel more unique instead of just a statistic change in a massive pile of crap. Shepard also moves faster in this game, and the entire pace of the main missions and side missions is even faster and more streamlined.
Another huge change is the level design. In the first game, the only unique areas were during the story missions and side missions were a boring hodgepodge of empty hallways that led to empty square rooms. At least in this game, there are more worlds to land on, about three times as many, and there are about twice as many teammates to acquire so that means more unique areas as well. Each teammate is a mission in itself to acquire them and then they each have their own mission to gain their loyalty and this is used to advance your romantic relationship with them. There just aren’t more worlds, but they feel more lived in. Sure, they’re still small and linear and cramped, but the Citadel is what it was in ME1. You’re now just on three levels of the wards and the shops. There are aliens everywhere; the backdrops look gorgeous; there are more ambient sound effects; and it feels great—for the first visit. The game is still very static, and I wish alien positions would switch up or more random events would happen. Nothing ever changes, and every NPC is glued to that spot forever. It still feels good to be in these areas, and the extra detail everywhere is really noticeable.
Side missions are now acquired during main missions or other side missions. You might find a datapad that has a mission, or you will find messages on your personal terminal. The navigation of the galaxy map has greatly improved as well. All missions are now shown on the galaxy map, and there are bubbles on each nebula or cluster with the name of the mission. You can now directly control the ship on the map, but it’s honestly pointless and feels half-baked. You have fuel and probes now, and fuel is used to get across solar systems in a galaxy. You still need to use a mass relay to jump around the major clusters in the galaxy. The fuel feels stupid, as that’s all it’s used for, and probes are the answer to taking away the MAKO and finding resources.
Yes, the MAKO is gone! Hallelujah!, but now you are stuck with another mundane chore: scanning planets for resources. There are five resources needed for upgrades, with Element Zero being the rarest. Most of your Eezo is acquired on missions in containers rather than planets. What you have to do is hold down a button to scan the planet, and a bar graph will spike high when there’s a strong amount of an element in that spot. It’s incredibly tedious and feels like a chore, and there’s zero fun in it. Sure, you can acquire a better scanner later, as each crew member you recruit has a major upgrade to offer the Normandy, but it doesn’t make things better. What’s more annoying are the limited probes. Why? I can only get more at a fuel depot, and those are only near mass relays. So, if I’m in a system that has no depot, I have to travel back on the map and fuel up. Just give me unlimited fuel and probes! This limit makes no sense. I also don’t like how there’s no zoomed-in view of each planet like there was in the first game. It’s just a small ball on a screen. At least each planet has a unique description.
While the galaxy map is slightly improved, it introduces new issues, and the dialogue system hasn’t changed a bit. Shepard is a little less of an ass in the Renegade options, but the binary moral system is really crippling as the game tries so hard to be extreme on either end. There are now some quick-time events during certain scenes that allow you to perform a Paragon or Renegade action that can boost that meter, but at least the smaller choices in conversations now add a little bit too. The top, middle, and bottom responses are good to evil in their respective order, and you will get maybe two points for responding nicely even in parts of the conversations that don’t matter. Sometimes you can win an entire dialog-driven scene by having your morals polarized more on one side, but I will give BioWare credit for its continuity. Every action you take in the first game reflects whether it’s a crew member who died on a small side mission and you just get a message about it later. I noticed every action I took in the first game unfold and take hold here, and these actions also had dire consequences.
The main story is still really short, with only maybe half a dozen missions or so. The last three crew members are optional, and there are a couple of crew members attached to DLC. Sadly, these crew members don’t have any dialog trees, and their characters aren’t expanded upon enough. With that said, the new characters are really likable, memorable, and well-written. The expanded lore and world feel grand despite the game’s actual limited scope. I felt I had more control over the dialog, but the binary moral system is constricting in itself and is one of the main issues I have with the whole series. The game is about as long as the first, but it feels more satisfying as you aren’t spending 10+ hours driving around in a boring MAKO. I finished almost everything in about 35 hours, and it feels solid and thorough. Less filler was scrapped for more actual content.
The Legendary Edition upgrades are mostly visual, and they look great. The game is several steps up from the first game visually, and the voice acting has improved a bit. There are more scripted events, cut-scenes, and animations. But the same 3-second sprint still exists, which is annoying. Overall, Mass Effect 2 is so much better than the first in every way. The story feels grander, and the Collector’s are a new formidable enemy. More questions are answered that you actually care about, but also more questions are raised, and the game ends on a cliffhanger. I liked having to choose teammates to do certain things on the final suicide mission, as some might die, but you don’t know in what situation or how. Sometimes it’s not even the team member you actually pick who might die, but yes, team members die at the end, no matter what you do; it’s just a matter of who. I loved every minute I was in the game and couldn’t put it down.
Mass Effect was a big part of my teen years growing up. It was a massive sci-fi odyssey that let you explore planets, and BioWare created a giant world with lore that could rival Star Wars. Alien species with in-depth military and political backgrounds, and the amount of detail spread across the whole game that fully incorporated the lore and detail. Being able to talk to numerous species, such as the Elcor, Hanar, Volus, or Asari, about their individual lives or more galactic issues. It was fascinating and ground-breaking at the time. The facial animations, the graphics, and the sheer scope of the game were unheard of. Fast forward over a decade later, and it’s still impressive, but video games have evolved, as have action RPGs. The flaws are big red scores on the game, but it’s still fun to play through.
The game starts out like any other BioWare or Western RPG. You create a character and pick a class and a background. Mass Effect’s character customization was never grand, and LE’s improved version helps a bit, but it’s still not very detailed. You can choose a pre-made character, but I chose to create it from scratch. I picked a class that balances biotics and weapons and is female. Biotics are powers you can use in the game (and it describes how humans become biotics in fascinating detail), and you’re off. You start out right off the bat learning that dialogue is a huge part of the game here. In fact, every choice you make shapes the ending and the outcomes of missions that carry across all three games. You can be a paragon or a renegade based on how you respond. There are usually three different levels. Nice, mean, and down the middle. One major complaint players had was that the Renegade path was Shepard just being a complete asshole and nothing in between. It also doesn’t serve you to be neutral through the whole game either. This path can unlock dialogue options for either side that can change the tide of the entire game, including making missions easier or harder.
Once you learn the ropes and get into your first mission, you will learn how to play with the combat and shooting in the game. Mass Effect never had amazing combat, but the shooting here is slightly improved and is more enjoyable than it was before. You can move into cover, peek around ledges, sprint, and throw grenades. You can carry four weapons. Assault rifles, pistols, shotguns, and sniper rifles. Throughout the game, you can acquire crap tons of loot that allow you to mod the weapons in various ways as well as acquire new weapons and armor. This is essential to staying alive, and you also need to manage your crew’s armor as well. Over the course of the game, you will meet various characters, such as Wrex the Krogan, Liara the Asari, and Garrus the Turian. These characters are quite memorable, and some even offer missions. I didn’t particularly care for Kaiden or Ashley, as they were just boring humans, honestly, and there is nothing exciting about their personalities, and you only learn about their past through optional dialogue when visiting them on the Normandy (your ship) after each main story mission.
One of the major hub areas of the game is the Citadel. A giant spacecraft that trillions of aliens live on. There are various parts you can visit and can easily get around through a fast travel system. There are about a dozen missions to complete on the citadel, as well as vendors to visit. Some missions are given to you here to complete in space, but overall, the Citadel isn’t a very enjoyable place to explore. Most of Mass Effect suffers from slow exploration, linear corridors, and various other problems. It’s a flaw of the times, as the Xbox 360 wasn’t powerful enough for the vast open worlds we have now, and there were also time constraints for development. Honestly, exploring in Mass Effect isn’t very enjoyable. I only really liked the main story missions. Side missions are a borefest with nothing truly gained outside of cash and loot, and there’s too much of it. The game is so short that you will end up with millions of credits with nothing to spend them on. About halfway through, I acquired the best gear just by completing missions and opening crates.
It’s a very unbalanced game, difficulty-wise. I found the game very easy early on, as acquiring loot so fast and quickly means you can kill everything in a couple of shots. This also led to me never really venturing outside of my pistol, as my class specialized in that weapon. I nearly maxed out my level by the end of the game, and there are so many different things to put points into that it feels unnecessary due to the short length of the game. All these biotic powers, weapons, mods, and classes for a game that can be finished in less than 20 hours? I wound up finishing everything in the game in about 33 hours. While it sounds strange that there would be so much RPG stuff in a short RPG, the game mostly just runs itself. I micromanaged my inventory a lot, but the game is so easy that I never worried about trying to find the best stuff. It basically falls into your lap.
That’s also not the weirdest thing about the game. The MAKO driving sections are a notorious and infamous chore and borefest. The vehicle has a mounted turret and shoots grenades, but there’s not much reason to use it outside of main missions. The vehicle is floaty, and the worlds you drive on are insanely difficult to navigate. The terrain feels like it was made by a child who was given a terrain deformation editor, and they went nuts. Nothing makes sense; there’s no logic. Just look at the cliffs and mountains on every single planet that are a pain to drive on. You can go around and discover hidden anomalies and metal deposits (these are for credits), but it’s such a chore and it’s boring. The first few planets are interesting, and it’s fun to feel like you’re exploring planets in space, but they’re completely empty. There are no other colonies or cities to visit outside of the citadel itself. Just hours of empty driving and getting out to do a stupid puzzle to complete a few fetch quests.
Most side missions are given once you enter a new cluster on the Galaxy Map. You are looking at a solar system and can click on planets to get a zoomed-in view of them. These are actually quite awesome, and they are all different. You get information sheets on what type of planet it is, and that part is really more fun to explore than actually landing on planets. Most clusters have one planet you can land on, and once you enter a cluster that has a side mission, you will get an incoming message. Then you land, explore, find anomalies to complete the fetch quests, and find deposits for credits. Then you go into the same three generic interior buildings that are rotated to shoot something dead to complete the side mission. Maybe there’s one that involves dialogue to complete the mission. These interior levels are boring, with just a few hallways and open rooms.
With that said, what’s the point of completing side missions, then? Maybe completionists will want to for achievements, but it’s not needed to get the credits to buy weapons and armor. You end up getting all that stuff organically as you play anyway. The most enjoyable moments are the dialogue sections, though, and combat is fun for the most part. It’s just clunky, and most everything feels underutilized. However, the story is fantastic and the majority of characters are memorable, and that’s Mass Effect’s strongest point. The world-building, the lore, the characters, the story, the writing, and everything involved in that.
The game looks good, and the LE upgrade is definitely several steps up visually from the Xbox 360 original. There’s better lighting, higher-resolution textures, more detailed models, and everything in between. The music in the series is also fantastic, and the PC graphics options are decent. There’s ultrawide screen support, which is a huge plus in my book as well. Overall, Mass Effect 1 Legendary Edition improves mostly on the visuals, and that’s it. You can’t fix the core gameplay too much. They tried to add sprinting, but it’s only for three seconds, so why bother? You can skip elevator rides, but only some of them, and interesting dialog takes place here, so again, what’s the point there? I also had physics issues—stuttering, slowing down—and the game would randomly crash sometimes. Hopefully, this gets patched at some point.
If you can look past the awful MAKO missions, the clunky combat, the overly easy difficulty, and the unbalanced loot system, the game is worth playing. The main story is short, and the side missions aren’t worth investing time in unless you want to complete everything. The story, lore, characters, and dialogue are what make the game so great, but it really hasn’t aged well over the years and feels like a time capsule from two generations ago.
I will come right out and admit that I never finished Resident Evil 7. The game was just scary for me, but I plan to go through it now that I have finished the game. Resident Evil Village is the direct sequel to RE7, where you play Ethan Winters trying to save his daughter Rose, who was taken by Mother Miranda. You end up in a strange village full of new evil villains and a bunch of places to explore.
The entire game is played in the first person again, and the game’s settings and scare factor are set right off the bat. You end up in a seemingly abandoned village, and eventually you end up running away from Lycans. I don’t want to spoil too much of the story by giving away details about each area, but I will describe them. You spend a good bit of time inside the village, acquiring your first couple of weapons and learning the layout and controls. As you meet villagers and try to escape the Lycans, you end up in Lady Dimitriscu’s castle, one of the only areas that have been shown in great lengths for months leading up to the game’s release. This is where you learn to explore, solve a few puzzles, and understand that the entire game revolves around exploring an area and acquiring a key or item that unlocks the next part. This may involve a mini-boss or the onslaught of enemies.
Lady D’s castle has her three daughters chasing you, and they end up becoming mini-bosses. Lady D stalks you through the castle eventually, like Mr. X or Nemesis in previous games. If you spend too much time in one room, she will come through the door in her 9′ glorious beauty. She’s a fantastic character, as all of them in this game are, but sadly, there are only two cutscenes with her, and you don’t get to know her well enough before you finish her off and move on to the next area. There are three more areas that end up being the boss’s lairs. A marsh, a machine factory, and an old mansion. Each area is unique and a blast to explore, but the scare factor in this game is kind of weak. The game gets scary only in certain areas, and the majority of the game is just an eerie atmosphere, but not so creepy. Sadly, a lot of the environment is static and enemies don’t respawn, so the game feels tenser in some areas, especially with a lot of enemies around.
There’s a lot of action in this game, and it ramps up as the game moves on. Just like in Resident Evil 4, you can expand your cache storage and buy weapons from The Duke. He sets up shop in each area you explore and has a central hub that you eventually get to. There are many weapons to buy, some of which are upgraded over others. You buy things with Lei, of which the majority are acquired by selling crystals, gems, and various rare treasures. Large enemies, bosses, and mini-bosses all drop these crystals. You can buy upgrades for weapons as well as parts, just like in RE4. Duke has some limited ammo and explosives you can buy, but you can also craft items by finding parts laying around everywhere. This includes crafting ammo, explosives, and health. At some points, you must make every shot count, but I never ran out of ammo completely and got myself into a bad situation.
One issue I did have with the game was the confusing level design. You have to backtrack a lot, and in some areas, I ran around for 20 or more minutes trying to remember my way back to a particular area because I found the key to move on from there. It got frustrating, and the machine factory is an absolute chore to navigate. Nothing but endless hallways and dead-end rooms. Once you do find the key or door you need, it’s rather satisfying, and there’s a constant sense of progression throughout the whole game. Bosses aren’t very hard, but they just require you to stay on your toes and learn their patterns, and you must aim carefully.
The visuals in RE8 are pretty damn good, and they look great on PC. Sadly, the ray-tracing effects are minimal and not worth the halved frame rate even on my RTX 2080 in 1440p. I noticed no difference with it on or off. The lighting looks great, the textures are well detailed, and it runs well on any system. However, as I mentioned earlier, the environment is very static, and there’s not much interaction or dynamic things to look at. The game is also very linear, despite the areas being quite large to explore. It’s just a bunch of twisting hallways, and the village isn’t all that big. There are some extra things you can do, like shoot all the bobblehead goats, find all the treasures, and defeat optional mini-bosses for treasures, but most people will probably look past all of this. The sound design is amazing, with some really creepy sounds that are both loud and quaint. Being in the large mansion and anticipating something coming around in dead silence was great, and Lady D’s castle is haunting. You expect something to come around every corner.
Resident Evil Village is an evolution of the series, mixing RE4’s gameplay and RE7’s first-person shooter goodness. I do have to say that Ethan Winters stinks as a character, and I hate him. He’s horribly written, and I wanted to spend more time with the main villains, but alas, here we are. It’s sad we don’t get to see more of Lady D or anyone else, for that matter, except when you have short encounters with them in their respective areas. RE8 is a lot more accessible than RE7, and many people will probably finish this game. The difficulty is just right; it looks and sounds good, and it’s just a blast to play through. The scare factor is all over the place, the main areas can be labyrinthine in design, and the extra modes after you finish have varied mileage.
The morals of AI behavior have always been a question. How close should they get to human emotion? Would they be considered people? Should they be considered and treated like machines? What happens if one becomes rogue and starts feeling outside of their programmed emotions? Many games, books, and movies have explored this concept. The movie A.I., Bicentennial Man, I, Robot, Isaac Asimov’s novels, and most recently, Detroit: Become Human. It’s a fascinating concept that becomes closer to reality as technology advances. With cloud-based AIs like Siri, Google, Bixby, and Cortana and realistic-looking robots that have been created, this could be the future within the next 10–15 years.
Silicon Dreams puts you in the eyes of a robot interrogator for a megacorporation called Kronos. Kronos creates bots for service and work and must keep a close eye on any that might be considered rogue. The game is mostly basic visually, but you spend 90% of your time on the interrogation screen. You click around on questions and try to gain the responses and information Kronos asks of you. Each case is different, and you also interrogate some humans. At first, this will become confusing, and you won’t be sure what the strategy is. As time goes on, you are contacted by a rogue robot who wants to start a revolution. You end up interviewing robots that have gone rogue, or what Kronos thinks has gone rogue, and it’s your job to get as much information as possible. Some robots are easy to crack, and some require trust.
As you go on, you will realize that emotions are the main way to get what you want. There’s a wheel pie chart with different emotions, and as you talk to the subjects, that slice will flash and the graph will adjust. Some robots aren’t supposed to feel certain emotions, and Kronos might ask you to observe this, and the end report you fill out might ask this question. Of course, your own morals come into play here, and it’s one of the few games I’ve played where I was torn between helping out Kronos and wanting to help the robot revolution. Every single interaction will sway you either way, as you will be afraid of being decommissioned yourself and getting caught if you help, and you never know if what you’re doing is correct in either direction. The mystery is good, and it’s akin to how you might navigate these situations in real life. Kronos promises private quarters and a more lavish lifestyle if you cooperate, but then you see a news article at the end of each day talking about the robot revolution, and you sympathize with the stories and situations of the subjects. You want to just do your job and keep your head down, but you also have a chance to change the world.
This leads to different outcomes as you play. I was so torn between not wanting to help either side that my company points kept dropping to the point where I was interrogating myself. I also screwed up that interview by playing the neutral party, and I got a bad ending. There’s tons of replay value here, and I intend to be on either side solely so I can see what end I get. However, this also goes for interviews. I would exhaust all my options and be unable to invoke the emotion I needed to get the correct information. I had to choose to either let the subject go, send it to maintenance for a memory wipe, or decommission. This is one of the hardest choices to make and what eventually can piss off Kronos the most. They want to keep a clean image, and if you let deviant robots go, it makes them look bad. I did eventually get my company points to 60/100 and acquired the ability to invoke and sway the robot’s emotions. You also get to cuff them to invoke fear and anger, and sometimes this is the last resort if you end up choosing the wrong responses and wind up not getting everything you need.
Outside of all the interviews, there’s nothing else to do. The visuals are very basic; while not ugly, there’s no voice acting, which would have added some character to everyone, and the Blade Runner-style Voight-Kampff iris vision is just for show. Same thing with the option to show camera angles. You’re never close enough to see emotion visually, which would have added another layer to the overall gameplay. As it is, your only indicators are the text itself and the emotion pie chart.
Overall, Silicon Dreams is a fantastic text adventure that pushes the moral boundary of AI as humans and makes you think with every mouse click. I had to make sure I even talked about certain topics in a certain order to open up trust first before talking about the actual reason why the subject was with me. Sometimes this worked and sometimes it didn’t, but that’s part of all the fun in this game.
Dread X Collection games are a great concept. A horror house of mini-games that take 30–60 minutes to finish to unlock a larger narrative. The first game had a lot of duds and a few games that crashed and couldn’t be finished, and the same goes for this collection. There are far better games, but the duds are even worse this time around. At least there’s a larger hub world you can explore and get the games to require solving simple puzzles in a mansion you are locked in. It took me about 20 minutes to solve all the puzzles and find all twelve keys. It really doesn’t take much, with some barely even considered puzzles. Each game is on a VHS tape locked in a box in the main room. You put the tape in the VCR, and the game will pop up. It’s a neat concept and fun while it lasts, but you will spend the majority of your time with the smaller games. I will go through each one and let you know if they’re worth your time or not.
Charlotte’s Exile: A fun puzzle game based on H.P. Lovecraft’s Cthulhu lore. You stand at a table and have a series of puzzles to solve while a giant eye constantly approaches you. You are standing in a library and you can see the eye every time you look up. It repeats a pattern in which every 3-4 minutes it will appear right in front of you and create a jump scare. It really got me the first couple of times as my skin literally crawled. However, this is all the game has in terms of scares. There is an alphabet you must decipher by reading passages in a book. Then there is a lockbox that has good ending hints and a puzzle box that requires pressing squares in a certain order. It was fun to solve and took around 45 minutes, but having to constantly look up was novel at first then just became annoying because I knew the jump scare was coming. Play.
Squirrel Stapler: A mock on Deer Hunter. The game has PS1-style graphics and you walk around a large forest hunting squirrels. There are five days and with each day a new beast must be hunted. You then staple your squirrels to your “loved one”. This is another Cthulhu mythos story. The actual hunting part is slow and gets boring fast. You have to crouch and stay still for squirrels to appear, but sometimes several minutes would go by with nothing. You can collect bullets and health, but the ending isn’t worth the pay-off. Pass.
The Diving Bell: The graphics are hideous with ugly textures and models, but the atmosphere is creepy. Another Cthulhu mythos game where you play as a crew member of a diving team that is sent to research under the sea. You then mash your keyboard to type up a report and as the days go on, you’ll slowly lose your sanity. As you hallucinate you must take anti-anxiety pills to keep your heart rate down and look away from them. The research facility constantly malfunctions and doors lock so you must find other shortcuts and take long routes around the area. It’s not very fun and the best part was reading the logs and watching yourself slowly go mad. The ending was a poor pay-off and overall it was mostly boring and took nearly an hour to finish. Pass.
Touched By An Outer God: A Doom clone that has you fighting Cthulhu mythos monsters using your hands. When you kill enemies you get parts that can be used to upgrade your hands. This game goes fast and you can finish the entire thing in about 20 minutes. You can’t acquire all upgrades in the first playthrough but the ending was a bad pay-off and after you get halfway through the game is super easy as you quickly become overpowering. The visuals upgrades are nice to see and it’s very fast-paced and fun. Due to the short length, it’s not bad. Play.
To the End of Days: A terrible first-person shooter that kept crashing on me every five minutes. You use your shotgun to kill enemies, and that’s it. The game looks awful despite starting out with a fun atmosphere. It’s the end of the world, and nuclear weapons are raining down everywhere. The animation is awful, the sound is bad, and the overall shooting is just amateur at best. I didn’t expect crysis, but this isn’t it, plus the terrible stability issues. Pass.
The Toy Shop: Another game with awful visuals, terrible controls, and super floaty platforming. You play as a toy soldier who is trying to escape a toy shop. You walk around talking to people, pulling levers, escaping enemies, and in the end, you start fighting Terminator-type characters. The shooting is horrendous, worst than the last game, and I couldn’t finish the final boss due to the awful level design and terrible controls. Pass.
Undiscovered: A lost footage game that’s all atmosphere. You are filming your wife in the 1950s as you just discovered a tomb in Spain. The game is super blocky and terrible looking but that’s part of the charm. It’s a silent film so it’s in black and white and there’s lots of static and you just mostly hear the clicking of the camera rolling. As you go deeper into the ruins you only have a torch and pickaxe at your disposal. You can easily dodge enemies by walking around them, but the game has a super creepy atmosphere. It’s another Cthulhu mythos-style game. The collision detection and camera are awful, but I finished it in under 20 minutes and it was pretty cool. Play.
Another Late Night: Not really a game, just a text-based “desktop” simulator. You click around, read messages and articles that are supposed to be happening during the COVID-19 pandemic, and the game is basically a self-aware mystery where you are seeing through the eyes of the developer of the game. It’s over in about 15 minutes, but it’s fun, as I love desktop simulator games. Play.
Arcadletra: This was the first game I played in this collection. It’s a super weird haunted arcade adventure game. You basically click around on things that have electricity around them and it’s a Layers of Fear-style haunted funhouse. There’s a good and bad ending, but honestly, the short story makes zero sense and I only enjoyed the auditorial atmosphere the game had. It was over in about 15 minutes. Play.
Sucker for Love: This one is super neat. It’s a Japanese visual novel where you summon a female Cthulhu character, but you are in your apartment and have a book of love. Your goal is to try and kiss her before she ends the world and it’s actually quite creepy in spots. Think Corpse Party type creepy. You follow the instructions on each page by clicking on things in the apartment that correspond to them like turning out lights, wearing certain items, etc. It’s over in about 20 minutes, but it was a lot of fun and I wanted it to last longer. Play.
The Thing in the Lake: This is an 8-bit PC-style adventure game where each chapter is super short-lasting maybe a few minutes, but I hated this one a lot. You can run around the screens trying to figure out where to go and there are two killers on the loose. You can’t walk through dry grass and after a few seconds, a killer gorilla comes onto screen kind of like Mr. X in Resident Evil 2. You can collect letters throughout the game, but the issue is figuring out where to go and constantly dying from the killers. I repeated each chapter a dozen times before figuring out what to do next. It just felt like a chore with little pay-off. Pass.
Solipsis: This is a short and sweet game. You play as an astronaut from a top-down perspective, walking across the moon. You must find a lava tube using a tool, but halfway through the game, your partner crashes onto the moon, and you must still find the lava tube. You then walk down a long staircase and see parts of a creature. Without spoiling it too much, the game ends once you get to the bottom. It’s over in about 15 minutes, but it’s disturbing. Play.
There are not as many duds this time around, but the bad ones are super bad and not even worth grudging through. Sadly, this means that without finishing all the games, you can’t finish the main narrative in the hub, but for the asking price, there’s still a few hours of good entertainment here.
Dread X is a fun series of small, indie-made games using the Unity engine. Most of them can be finished in 20 minutes or less, but sadly, the majority of them in this collection are neither all that scary nor incredibly tedious and not very fun. I will go through the list of ten games.
Carthanc is a weird first-person game set in an Aliens-type setting. You’re on a space station with weird hieroglyphs, and your goal is to set up your lamp to shine on symbols to open doors. You must complete the mummy statue to run from the final monster. I never made it through the first section. The platforming is horrible and really floaty. The visuals are too murky with too much grain, and the overall setting just isn’t scary. Pass.
Pay is Nice is an interesting tank-style adventure game. You play as a salaried employee of some top-secret government facility. As you make your way through the beginning of your workday, you are narrated through how your life and job currently are. It’s a great setup that is sadly stopped when things get interesting. There’s a single puzzle in this game that seems really complex at first, but after some reading and experimenting, it’s solvable. I loved the atmosphere and mood here. It is very haunting and surreal, yet it just ends after 20 minutes. I would have liked to see a full game in this setting. Play.
Summer Night: Easily the scariest game in the bunch. You are a kid playing a Tiger Electronic-style LCD game in your bed. All you see is the LCD game and your hands. It’s a simple game of catching mushrooms that pop up in the four corners of the screen, but after each level, you get a small narrative piece, and the LCD changes over time. I won’t spoil the game, but it really is terrifying and scary. The developers made good use of audio in this game, and it’s easily my favorite of the bunch, but it only lasts about 10 minutes. Play.
Rotgut: A terrible adventure-style game that’s way too slow and glitchy to even bother with. The visuals are interesting, but it’s not really scary. I felt like I was fighting the controls and just never went past the first five minutes. Pass.
Don’t Go Out: An RPG card-style game that ends in 8 rounds. Your goal is to run from a tentacle monster as its tentacles creep inward on the map. Most of the map is dark, and you can use cards to light up the area, add new characters, or slow the monster down. Sadly, there’s only a single strategy here, and that is that it survives outside for four rounds and then heads into the house with the monster during the last three. The door is supposed to shut at the end and keep the monster out. It’s not very fun, as there’s tons of trial and error to get the only winning strategy down right. Pass.
Outsiders: This is the longest and most involved game in the collection. It can take a couple of hours to finish, as it’s an obtuse P.T.-style game where the house attacks you as time goes on. You get six minutes per “round,” and the goal is to activate six buttons on a hidden wall by finding various objects. A hammer, a few keys, and a couple of hidden buttons, but there are no clues until you start dying numerous times. There’s also a murderer on the loose that can attack you, as well as the ghosts in the house towards the end of each round. I found it tedious and boring, and the fact that you can’t progress much without pixel hunting is beyond boring. Pass.
Mr. Buckett Told Me Not To: A Castaway-style game with some rather polygonal graphics. You must spend three nights “surviving” watching your waste, thirst, hunger, and stamina meters. At the end of each night, you wake up with random effects on your overall meters. However, at night, you must sacrifice a survival item. Each day becomes a little more difficult, but the ending is well worth the time. This one takes about 20 minutes to finish. Nice and sweet. Play.
Shatter: A PS1-era-style game with horrendously slow walk speeds and a sprint meter. You are supposed to get a special pupa that belongs to some fly overlords and gain access to a building. I don’t know. It’s so weird and makes no sense, and you’re in some sort of cyberspace? The issue here is that the game is really cryptic, and walking around the large area is so boring due to the slow speed. The sprint meter is to make running away from enemies harder, but this is only a fraction of the 20-minute game. Pass.
The Pony Factory: The only shooter in the collection. It’s an FPS where you’re in a factory that’s been abandoned. You run through seven levels, and the only gun is a bolt gun. You collect ammo and health and shoot pony skeletons. The graphics are really rough, and they’re in black and white, so even the art style can’t save it. Really dull all around and not really scary. Pass.
Hand of Doom: An FPS that harkens back to the Saturn and Jaguar eras of console games. It looks great and feels like Heretic in some ways. You are a wizard who is going to beat a grand wizard of sorts. You have to walk around the area, opening doors, using your spell incantations. These are acquired as you explore each area. The game is really short, running about 30 minutes. Using the incantations is a lot of fun, and you have a journal that tells you what the order is for each spell. Play.
That’s about it! As you can see, the majority of the games aren’t worth playing, but if these game types are for you, then you may find some enjoyment. The issue with most of these is that they are slow, boring, or just not very scary. My favorite game is the simplest and shortest, and it’s also the scariest. For the asking price, you can’t go wrong here, and you are bound to find a few hours of fun no matter what games you end up liking.
thebinarymessiah.com 
Try multiplayer. A lot of fun !